A Quote by Paul Laffoley

[Buckminster Fuller] was quite willing to talk. He'd talk at the drop of a hat.I learned to talk in front of people by listening to the way he did things. Because he would give lessons in how to lecture. He would say, "Never take a note, just stand up and start babbling. And then eventually you're going to be able to make some coherent statements, and so it's like you're vamping. And then people will gradually start to listen to you when this spot of logic shows up in this torrent of verbiage.
You have to do stand-up quite a long time before you learn how to do it well. It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
You can't really write until the characters kind of show up one day and tell you what they're going to say. You start to hear the rhythm of the way the people talk, and then it becomes easier.
I just talk just to talk. I like to see what other people think. There's some things somebody tweets me every day where I'm like, 'Wow, I never thought of this issue that way.' It starts great conversation with people who I would never get a chance to actually communicate with.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
You see young people, or kids, and they're fascinated by the way people talk. And that's great. But eventually you get to the point where you think, 'You know what? I don't care how you talk, I'm just listening to what you're saying.'
I'm not the type to generalise about an entire generation. I think the most general thing I can say, is that things are way more dispersed, and way more de-centralised than they were twenty years ago. I don't really feel like people talk about my generation the way people would talk about Generation X in their early 90's when Nirvana blew up. I feel like there was an easier, more coherent narrative to find, than you can now.
People say that if you talk too much about sex, you take away the mystery. I say, if you're somebody who likes to talk, talk all you want - it's not listening. You will never take away the mystery.
We would go on retreats to Florence. The people in the planning team got to be good friends and so we did things like, we'd all go over to the Fort Belvedere in Florence and take that thing over. Because it's up for grabs, you can rent it. And then have New Age meetings and all that kind of stuff. [Buckminster] Fuller loved to go there.
Talk radio around Boston is brutal, and I think that's part of what goes on is that people as they're driving to and from work start listening to these jerks, and I say jerks, because I don't think they know what they're talking about and they're just serving some things up as controversy so they can sell the show to sponsors.
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
I don't try to hide our relationship with Jay-Z. There's nothing to hide. People see us, but we just don't talk about it, and I think that's absolutely helped us. People give us space and respect us. The minute you start talking about it, that's all people want to talk about. And then the really big rumors start happening.
People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they've woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I'll be talking, and will be interested in what I'm saying, but then someone-I'm convinced this what happens-someone-and I wish I knew who, because I would have words for this person-for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head.
We would like doctors to listen, but the fact is, we better be ready to be able to talk to them. You're going to have to be an active participant in that conversation, so I'd say the American people are going to need ways of stepping up to the conversation.
I used to wonder, when my grandmother would tell me what the wolf said to the jackal, how these animals can talk. And, she would say, 'in my stories, animals talk. Shut up and listen.'
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