A Quote by Paul Newman

Almost everything I learned about being an actor came from those early years at the Actor's Studio. — © Paul Newman
Almost everything I learned about being an actor came from those early years at the Actor's Studio.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
You have to succeed as a young actor, then as a dad actor, those would be my 'Harvey Moon' years, then as an old actor.
I don't want to be quoted as 'Tom Hiddleston, psychologist says...' But there is a psychological aspect to being an actor. We are particular students of human nature - not every actor is, of course, but that's what fascinates me about being an actor.
As a director, I have to do everything. As an actor, I'm just worried about one role, that's it. As a director, everything is important. Everything is something you have to be very detailed and specific about in telling a story. So for me, the job is far greater than just being the actor, there's a lot more responsibility creatively, technically.
I'm not sure I enjoyed doing [Gigi Does It]. I'm cool with just being an actor. If anything, I learned to be proud of being an actor.
I love my job, I love being an actor and stepping into the shoes of different characters and exploring their lives. It's enriched my life extremely. I've learned more about myself and the ways of life through being an actor.
I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
As an actor, you've worked very hard, and you've been doing this for 20-some years, and William Morris was never interested - or any studio, either - in your company or as an actor, and then 'God's Not Dead' happens, and now everyone calls you.
A lot of people know that how I came to become an actor, but not many people know that how hard it was for me in those initial years. Being an outsider, I had no insight about the ways of the craft.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
Being an actor only came about because Arnaud Desplechin, the guy who did 'Kings and Queen', had this curious idea to think that I could be an actor, but I had never acted before, and I was supposed to direct my own film!
I'm a young actor and I haven't learned everything there is about acting.
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