A Quote by Paul Oakenfold

I've worked with everyone from Ice Cube to Snoop Dogg ... right across to working with pop stars like Justin Timberlake. Why those artists came to me is because they wanted my sound.
I learned how to take other people's mechanisms of promoting their stuff through me as opposed to promoting my own stuff, as far as getting Snoop DeVilles, SnoopDeGrills, Snoop Doggy Dogg biscuits, Snoop Dogg record label, Snoop Dogg bubble gum, Snoop Youth Football League.
I had Ice Cube on my first album, "Bunker," and then I did a remix for Snoop Dogg. I've worked with Grandmaster Flash and Pharrell. It's a different work process and there's a different take with how you produce [hip-hop].
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
Randomly enough, all of my favorite rappers growing up were East Coast rappers. I don't know. I just related to them a little more at first - because if you're born in L.A., and you lived there your whole life, Snoop Dogg literally sounds like cars driving by. You feel me? You hear Snoop Dogg so much.
On 'Old School,' I was not an actor, I was Snoop Dogg, so I came to the set with a whole different vibe, and a different crew of people. And on 'Starsky and Hutch,' I was more of an actor. I wasn't Snoop Dogg, the rapper.
People tell me I'm like the country version of Justin Timberlake. Actually, the other day someone told me I was an unathletic version of Justin Timberlake, and I was like, 'I'll take that.'
I've worked with Lil Wayne and Wiz, but I'd like to work with Snoop next. I love 'Paid tha Cost to Be da Boss' and 'Doggystyle' and pretty much anything he puts out. And Ice Cube - like, all the legends.
Working with Ice Cube was so tight. He's cool, and I really like how he does family stuff. My guy friends couldn't believe I was chillin' with him. Dudes love Ice Cube.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
I like to watch 'Grey's Anatomy' when I'd doing cardio. But, sometimes I do need good music to get me moving. I like high energy songs by artists like Justin Timberlake and Rihanna.
When I was a journalist, I didn't care how many people talked to Ice Cube before I talked Ice Cube. I just knew that when I talked to Ice Cube, it was going to be different than what anybody else had done, and it was the same with any group.
When I was growing up, it was 'All Eyes On Me' by Tupac and 'Doggy Style' by Snoop Dogg. I've met Snoop and he's the best. They say you shouldn't meet your idol - that definitely doesn't apply to him.
I used to be mad, at first, that I couldn't sound like Ice Cube. And I think that was probably one of the best things for me.
I think, first of all, I don't think people understand Ice Cube's body of work. Ice Cube is a, and I hate to use the word 'urban' but - when you think of Judd Apatow, and a person who's launched so many careers, Ice Cube has done that for so many comedians, you know?
I wanted to become a better Snoop Dogg, full of water, proteins and stuff to keep me alive . . . lollipops and Big Macs.
I'm personally looking for artists that are along the lines of today's pop stars. Whether it be a Rihanna or a Justin Bieber or a Kanye West or a Beyonce or a Lady Gaga, I'm looking for talent that's like that, that's what I love.
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