A Quote by Paul Reubens

I'd love to direct, and I think I'd be a great director, but... I've been approved by the studio to direct, which I think is a cool jump of faith for them. Or proof that they're really stupid. But I don't think so.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
I think I would co-direct because I love actors and I've got a very good eye. I'm not a second-guesser. I don't think that I would be very happy, getting inundated by financial issues. I would love to co-direct with somebody because that would be a real freedom and an adventure, and then I could leave all the pain and misery to them. I'm not glib about it. I would take the responsibility to make a really good movie.
I think Twitter is such a cool thing because it really is a direct line to the fans and for fans back to you, and it's such a new thing. I think in the past there's been usually fan mail and that's really good, but Twitter, it gets an immediate response.
Eventually, I think I may end up directing. It would have to be the project where I think that I'm the person to direct it, and I don't know that that's happened yet. I certainly haven't written it, and I don't know if I've read that script yet where I was like, "Okay, I think I'm the guy that needs to direct this."
I am very direct, to the point that I think I might make people uncomfortable! I do not know how not to be direct. I don't think there's time to waste.
Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
I don't think I'd ever want to direct. I don't think I have as much discipline to direct as I would like to have, and I don't want my hair color to not go grey during that process.
A lot of critics think I'm stupid because my sentences are so simple and my method is so direct: they think these are defects. No. The point is to write as much as you know as quickly as possible.
Oh, God, give me grace for this day. Not for a lifetime, nor for next week, nor for tomorrow, just for this day. Direct my thoughts and bless them Direct my work and bless it. Direct the things I say and give them blessing, too. Direct and bless everything that I think and speak and do. So that for this one day, just this one day, I have the gift of grace that comes from your presence. . . .
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
I'd love to be a director-for-hire and get a nice paycheck and captain one of those big ships, but I think studios mistakenly think I want to write what I direct - which I don't. I write out of desperation, because I never get a script I like, other than "Nebraska." It's a matter of: What's the screenplay? Is it intelligent? Is it human? I don't care what genre, what scale. I'm here for the movies.
People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
I'm not interested in making movies only with female protagonists. I think it's ridiculous to think that a female director can't direct men. That makes no sense to me.
I think it's a great pity in the Anglophone world that we conflate cinema verite and Direct Cinema; they're, in fact, ontological opposites. In Direct Cinema, we create a fictional reality with characters and pretend we're not that.
I wrote a script and I've been whispering in director's ears for a really long time and I'd love to direct.
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