A Quote by Paulo Coelho
If I had a choice, if I had understood earlier that the reason my days were all the same was because I wanted them like that, perhaps.
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I was 16 when my father died, and I had a choice to come back and live in his house or I'd stay at the school. But I felt if my father wanted me to go to that school when I was 5, there must have been a reason - and I understood that reason when I was a teenager, because that school became the only place where I was safe.
We were not having any fun, he had recently begun pointing out. I would take exception (didn't we do this, didn't we do that) but I had also known what he meant. He meant doing things not because we were expected to do them or had always done them or should do them but because we wanted to do them. He meant wanting. He meant living.
When I decided that I wanted to go to college, I wanted to be a school teacher for 7th and 8th grade boys because I felt that was an important time for them. I had gone astray at that point in my life and really wanted to help keep them from making the same mistake I had made.
He had the face of one who walks in his sleep, and for a wild moment the idea came to me that perhaps he was not normal, not altogether sane. There were people who had trances, I had surely heard of them, and they followed strange laws of which we could know nothing, they obeyed the tangled orders of their own sub-conscious minds. Perhaps he was one of them, and here we were within six feet of death.
I don't think I understood guitar rock as well as I probably should have. I don't think I understood bands like Led Zeppelin. In their era, everyone had such a regard for them because of them ushering in rock n' roll and this larger-than-life lifestyle. But then they had these songs that would just not stop. I didn't fully get it.
Soon after 'Paruthiveeran' I was flooded with scripts that were almost the same as the award-winning film. I had offers from Malyalam, Telugu and Kannada filmmakers. But I had to be firm and in fact I realized that now I had to be more careful with my choice of films because I have raised the audience expectations.
Many Anglo-Indians who had lived through the last days of the Raj were old, and I felt it was important to meet them and record their memories of what life had been like for them under the British and how it had changed after India's independence.
In the middle of this it was good to have some moments in which whatever was left of you could sit in silence. When you could remember. When the evidence that had gathered could be sorted. And it was a difficulty if another person imagined these moments were their property. Your life got sliced from two sides like a supermarket salami until there was nothing left in the middle. You were the bits that had been given away right and left to others. Because they wanted the piece of you that belonged to them. Because they wanted more. Because they wanted passion. And you did not have it.
I was a rapper. The reason I stopped rapping was because I realized that people wanted guys like Puff Daddy. That's not what I do. I quit. That was it. I had to sacrifice for my choice. I said, 'Forget it. I'll be a producer.' Nobody was going to make me do anything.
I never made conscious choices. There were times in my life that I chose the first job that came along because I was broke. I think that there were maybe a handful of times that I had a choice. In recent years, Ive had more of a choice, and its been very nice to have that choice, but most of the time, you just hope that theres another job after this one.
The reason why the Wright brothers were successful wasn't because they had the most resources, but because they understood how invention works. You have to iterate quickly, and you should be prepared to fail. Because things often don't go as planned.
In the old days, spies had done they'd done because they loved their country, because they believed in what they were doing. But he'd never been given a choice. Nowadays, spies weren't employed. They were used.
The other reason I didn't want to fictionalize it is because one of the main points of publishing a memoir in nonfiction was that I wanted to write about what had been a very lonely experience. The books that most saved my life as a kid were the ones that articulated lonely experiences that I had thought were mine alone.
All the teaching I had ever received had failed to make me apply such intelligence as I was possessed of, directly and vividly: there had never been any sunshine, as regards language, in the earlier grey days of learning, for the sky had always pelted with gerunds and optatives.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
I've just never seen a live event [like Oscar] where the emotional swings - it was just stunning.And it was interesting because, on one hand, "Moonlight" is one of these, like, generational pictures that you wanted to see win. But at the same time, if "La La Land" had won, I completely understood.
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