A Quote by Pedro Calderon de la Barca
If a pretty woman only knew how anger improved her beauty! Her complexion needs no other paint than indignation.
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To be a woman condemned to a wretched and disgraceful punishment is no impediment to beauty, but it is an insurmountable obstacle to power. Like all persons of real genius, her ladyship well knew what accorded with her nature and her means. Poverty disgusted her -subjection deprived her of two-thirds of her greatness. Her ladyship was only a queen amongst queens: the enjoyment of satisfied pride was essential to her sway. To command beings of an inferior nature, was, to her, rather a humiliation than a pleasure.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
Nothing is more pleasant than to see a pretty woman, her napkin well placed under her arms, one of her hands on the table, while the other carries to her mouth, the choice piece so elegantly carved.
God, she was beautiful - my first image of the Orient - a woman such as only the desert poet knew how to praise: her face was the sun, her hair the protecting shadow, her eyes fountains of cool water, her body the most slender of palm-trees and her smile a mirage.
Should I marry W? Not if she won't tell me the other letters in her name. And what about her career? How can I ask a woman of her beauty to give up the Roller Derby? Decisions...
Always man needs woman for his friend. He needs her clearer vision, her subtler insight, her softer thought, her winged soul, her pure and tender heart. Always woman needs man to be her friend. She needs the vigor of his purpose, the ardor of his will, his calmer judgment, his braver force of action, his reverence and his devotion.
It has always been preferable to attribute a woman's success to her beauty rather than to her brains, to reduce her to the sum of her sex life.
We have to work together. We have to support each other. When we hear about a wonderful woman, we have to tell other women about her. Help her, prop her up. Give her what she needs. That's a big lesson.
He wanted her. He knew where to find her. He waited. It amused him to wait, because he knew that the waiting was unbearable to her. He knew that his absence bound her to him in a manner more complete and humiliating than his presence could enforce. He was giving her time to attempt an escape, in order to let her know her own helplessness when he chose to see her again.
A man needs a much bigger orbit than a woman. He needs a mission, a life purpose, and he needs to know his name. Only then is he fit for a woman, for only then does he have something to invite her into.
We love a girl for very different qualities than understanding. We love her for her beauty, her youth, her mirth, her confidingness, her character, with its faults, caprices and God knows what other inexpressible charms; but we do not love her understanding.
Beauty does not lie in the face. It lies in the harmony between a person and his or her industry. Beauty is expression. When I paint a mother I try to render her beautiful by the mere look she gives her child.
My mom was the only one who didn't bleach her skin. She was the one who kept her natural complexion. So yes, I consider her a role model. All of her other family members would say to us, 'Oh, your mom is so beautiful. She's lucky she kept her skin.' Those comments stayed with me.
When I look at a woman through my camera, I see her with complete admiration and appreciation of her beauty, strength, and power - and that's how I do my best to represent her.
What I love about Sade other than her smooth and sultry voice is her willingness to be vulnerable. As a powerful, strong and beautiful woman of color, she showed her delicate, passionate side in a world where most of us are putting on a brave face. I love how effortless her style was and how consistent that red lip was!
What distressed me most - more even than my own folly - was the perplexing question - How can beauty and ugliness dwell so near? Even with her altered complexion and face of dislike; disenchanted of the belief that clung around her; known for a living, walking sepulcher, faithless, deluding, traitorous; I felt, notwithstanding all this, that she was beautiful. Upon this I pondered with undiminished perplexity.
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