A Quote by Pedro Martinez

If I wanted to pitch that bad, I probably would. But I don't think I'm in that stage. — © Pedro Martinez
If I wanted to pitch that bad, I probably would. But I don't think I'm in that stage.
When you walk onto the pitch at Old Trafford, it is not just a pitch, it is a stage. If my father could see me on that stage, I think he would be very proud. I was always kind of chasing him, and I think even though he's not here, he helped me to get to this place.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
Since being a wee boy, I've wanted to be on the pitch at Hampden. I don't know why. I love all the international games and such but I've never been that partisan. But I've always wanted to stand on that pitch.
I threw the opening pitch at a Blue Jays game, and after the pitch, the mascot asked me if I wanted him to sign the game ball, which I thought was funny. What would he write? "Best Wishes, Some Guy in a Bird Suit"?"
I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.
You had to pitch in and out. The zone didn't belong to the hitters it belonged to the pitchers. Today, if you pitch too far inside, the umpire would stop you right there. I don't think it's fair.
You had to pitch in and out. The zone didn't belong to the hitters; it belonged to the pitchers. Today, if you pitch too far inside, the umpire would stop you right there. I don't think it's fair.
A woman would pitch a joke. Nothing. Then a guy would pitch it and everybody would laugh.
I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal.
I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal
I would love to do Broadway. That was my original aim, when I first started acting when I was 13. I wanted to do stage; I wanted to do musicals.
I did not see myself as a leading lady. I thought I was really funny-looking and I would never be the lead, and I certainly would never do film or television. I wanted to do theater. I wanted to be the grand dame of the American stage.
I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.
There's very few directors I think in this industry that would pitch to a studio that they wanted to do a multi-layered almost at times existential high action, high drama surreal film that's sort of locked in his mind. And then have an opportunity to do that.
A sore arm is like a headache or a toothache. It can make you feel bad, but if you just forget about it and do what you have to do, it will go away. If you really like to pitch and you want to pitch, that's what you'll do.
The world of the stage and the performance on the stage usually does not tend to translate very well - it doesn't tend to hold very well - once cameras are on it; it's not like it's terrible or embarrassing or bad anything, but, I, as an actor, would perform a role differently for an audience than I would for just cameras.
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