A Quote by Penelope Cruz
I really think insecurity is something that comes with being an actor - I don't know actors who aren't insecure. I do think I kind of lie to myself - there is a percentage of ego involved. And I don't say that's a bad thing - it's good to know that it's there whether we like it or not. But ego is like a lion that we have to keep under control.
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I think most actors . . . We are insecure, in general. I think to be an actor, you need to have an ego, but then, our ego is our worst enemy.
Ego is neither positive nor negative. Those are simply concepts that create more boundaries. Ego is just ego, and the disaster of it all is that you, as a spiritual seeker, have been conditioned to think of the ego as bad, as an enemy, as something to be destroyed. This simply strengthens the ego. In fact, such conclusions arise from the ego itself. Pay no attention to them. Don't go to war with yourself; simply inquire into who you are.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
Power is a very peculiar thing. It's like the ego. The ego's only there to keep you above water. Once we realize something good about ourselves, we have a tendency to abuse the gift.
I think about death a lot, I really do, because I can't believe I won't exist. It's the ego isn't it? I feel that I should retreat into a better form of Zen Buddhism than this kind of ego-dominated thing. But I don't know, I mean, I want to come back as a tree but I suspect that it's just not going to happen, is it?
Part of ego is displaying the ego. I've got ego, and I think I'm really good. But maybe I fall down in trying to sell it to people.
If you have a strong ego [and] something good happens to an acquaintance of yours, [it] makes you feel bad. It's called envy. ... The ego thinks something has been taken away from you because somebody else has received something good. It's a complete illusion, but that's the madness of the ego.
The word 'ego' is very important. The ego is an important element of being human, and of being creative. We need that ego in order to give us a confidence of doing what we're doing. Ego pushes us into the creative world in order to create for something more. I think that a great company of actors, they all have egos, very strong egos, but they're all prepared to share together in order to achieve something even better than that.
The ego encourages you to constantly prove yourself and what you already know. When you are in the presence of someone you feel the need to impress, the ego's automatic response is 'I know.' The moment you say 'I know,' you are demonstrating that you don't know. You can learn something valuable from everyone, in every situation.
I don't think any of us know how we would react until we were put in a situation where we have to do something bad or do something good. I think I'd like to believe I'd act like a decent human being, but I'm realistic to know I don't know.
I think I'm great. I mean, I might as well come out and say it. Like most people, I have an ego and I'm in show business, so you have to have kind of a healthy, conflagrated ego to a degree. On the other hand, I'm consumed, like a lot of people, with self-doubt and loathing and guilt.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
You know, when I sit in meetings and things are very tense and people take things extremely seriously and they invest a lot of their ego, I sometimes think to myself, 'Come on, you know, there's life and there's death and there is love.' And all of that ego business is nonsense compared to that.
I think most of the actors that I know that I think are good are kind of funny people. There's just something about being alive to the truth of a moment that makes a good joke that also makes a good actor.
I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
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