A Quote by Penelope Cruz

I came to New York to study ballet and English. — © Penelope Cruz
I came to New York to study ballet and English.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
At the ballet classes I took when I first came to New York, I would see great dancers like Cynthia Gregory and Lupe Serrano. I would look at them and study what they could do, and what I couldn't do. And then I'd think maybe they should try what I could do.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
I was from Washington, D.C., and then I came to New York and got the scholarship for the ballet.
I moved to New Jersey when I was five, and I lived there for about six years. My dad was allocated to the New York branch of his company. Looking back, I'm so grateful because I got to learn both English and Korean at the same time, and it was just so natural for me, and it made it so much easier to study English afterwards.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
I love New York. I was in New York at the age of 13, at the School of American Ballet, walking around the subways in my little bunhead and thinking I was so cool.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
I dreamt of being an Aerie model before I came to New York. That was one of the main reasons I came to New York and wanted to get signed.
I love New York. I went to New York to become an actress, and I did it. And I won all the awards known to man. And I'm happy. And I came home. I came, I saw, I conquered. And it feels great.
I came to New York when I was 21, 22. I couldn't speak English. I knew I wanted to go to fashion school.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
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