A Quote by Pete Doherty

Babyshambles were offered some money to have a comeback. Good band, they were - amazing tunes. — © Pete Doherty
Babyshambles were offered some money to have a comeback. Good band, they were - amazing tunes.
In the beginning, we were a real good, straight rock 'n' roll band. We were writing quality tunes.
In Puerto Rico, I played in all kinds of bands that played salsa and merengue. That's how I saved the money to come to the U.S. We used to play El Gran Combo tunes. Half the band was my friends - we were around 15 - and the other half was my friend's father and his friends from the hospital where he worked. They were all, like, 50.
When we were first offered a book deal prior to Avon's, they were trying to get us to change it from the first-person story into a how-to book, and they were offering us some decent money. My agent told me; 'you should really consider this'.
I didn't really think my music was good enough to be heard by anyone. I had some friends who were releasing records who were older than me, and within that group, I was always the younger, patronized friend who was making tunes as well, which everyone thought was cute.
Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.
The Animals were their own worst enemy. The Animals were a band that couldn't live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
The Animals were their own worst enemy. The Animals were a band that couldnt live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
The Jam were a good band, however I feel that the Style Council were better. A lot of people I know will disagree with me. Some things we did with The Style Council were misinterpreted or over their heads.
We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.
It was becoming clear that, from being at the top at Holy Cross, we were at the bottom at St. Peter's. Objectively, this was very good, for it offered us a challenge and an opportunity to grow if we were ready to take it; and we surely were.
There were some great tunes played between '67 and '73. The Beatles were everywhere in those days, the most famous people in the world. You couldn't avoid them if you wanted. Not that I did.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.
Some people don't like the 'comeback' because that suggests they went somewhere, which they didn't. That isn't what I mean. In my mind, people were doing well, and then they went right down, and they made a comeback. It's not that they went anywhere. It's that their fortunes went way down, and then they came back.
We've always done things the way we wanted to. It's true that our experience affects some of our decision making, but that's a part of growing up and evolving as a band and as people. The first five or six years were really rough. We had no money. We were lost and crazy and made mistakes, but we learned a lot and suffered through tough times, and I think what we did reflected where we were and who we are.
And some days, he went on, were days of hearing every trump and trill of the universe. Some days were good for tasting and some for touching. And some days were good for all the senses at once. This day now, he nodded, smelled as if a great and nameless orchard had grown up overnight beyond the hills to fill the entire visible land with its warm freshness. The air felt like rain, but there were no clouds.
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