A Quote by Pete Doherty

I reached the point where I was getting arrested all the time in London. I couldn't walk down the street. London becomes a very small village, eventually. You run out of places. It was inescapable.
We shall defend every village, every town and every city. The vast mass of London itself, fought street by street, could easily devour an entire hostile army; and we would rather see London laid in ruins and ashes than that it should be tamely and abjectly enslaved.
But to me, Broadway has always had more a 'village' feeling than London's West End. The theaters here are clustered together, the staff and many people in the business know each other - it's like a little village all to itself, whereas in London everything is more spread out.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
Mexico scares me. There's no law, there's wild dogs and people driving their ATVs down the street. I like to know I can walk down the street and not be arrested for something dumb and have to pay to get my way out.
In London I have been by turns poor and rich, hopeful and despondent, successful and down and out, utterly miserable and ecstatically, dizzily happy. I belong to London as each of us can belong to only one place on this earth. And, in the same way, London belongs to me.
I love the fact you can walk down a street in London and get lost, even though you've lived here 20 years.
The first time I ever thought about doing a film seriously, I was in London. I was about 17 years old. I was just standing in the street, a bit dazzled by an Antonioni bus wipe, which by the way are inherent in London, and I imagined a film set in London starting out with the riff from The Yardbird's "Heart Full of Soul", and now, how ever many years later, I've done it.
We need to make it safe to cycle across London. Why not pedestrianise parts of London like Oxford Street and Parliament Square? I intend to plant 200 million trees across London in my term as mayor.
I've spent lots of time in London, I studied in London, I like London. It's just not my home.
I was living in my lovely little two-bedroom flat in north London... and suddenly, I couldn't just walk down the street and buy a pint of milk.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
My favourite thing is to come down to London from my home in Staffordshire in the helicopter and then get my bike out of the back and cycle into London. It's wonderful.
Many of my favourite hotels are in London. I like the Covent Garden Hotel and I stayed at Blakes last time I was in London. I like the feeling of warmth and homeliness that you get from both of those places.
I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
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