A Quote by Pete Seeger

I dreamed I saw a mighty room, the room was filled with men. And the paper they were signing said they'd never fight again. — © Pete Seeger
I dreamed I saw a mighty room, the room was filled with men. And the paper they were signing said they'd never fight again.
The current medical records system is this: Room after room after room in a hospital filled with paper files.
We'd been apart so long--I'd been dead so long," she said in English. "I thought surely you'd built a new life, with no room in it for me. I'd hoped that." "My life is nothing but room for you." I said. "It could never be filled by anyone but you.
I trained with a locker room and roster full of men, and we were all a family, and they all took care of me like their little sister. It's what I want out of a locker room. I think it helps the locker room, and it's a part of the success of the NXT women's division.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
In the days when we had paper charts, typically the paper chart would be in the door outside of the patient's room. Well now when you walk up to the door there's nothing there. Except maybe a folder with their name on it so you know who's in the room.
All of depiction is fiction, it's only a question of degree. When we think of images, such as the signing of the declaration of independence, we think of that wonderful John Trumbull painting Declaration of Independence that is at the Yale Art Gallery and on the back of our money. When we think of that historical moment we think of that image. That image never happened like that. All of those people were never in that room together to sign that paper. It's a beautiful fiction to help us have an understanding of what went on.
There's plenty of room for all sorts of movies and all sorts of comedies, so I never saw that as a competitive thing. I think there's room in the marketplace for everything.
The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.
There is an eternal conflict between the school-room and the bar-room. The school-room makes men, the bar-room destroys them.
'The Room' was such a specific piece of cinema that worked because it was so sincere. That's the thing that's great about 'The Room': it's something that will never happen in the same way again.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
I grew up on the side of the stage. I never had a fear of an audience. I never felt like they were separated from us. We were all in the living room, and it happens to be a big living room. I continue to operate on that assumption.
The day of my arrest I was first put in a room where there were already several other prisoners, most of them Arabs. They laughed when they saw me. Then they asked what I was in for. I said I'd killed an Arab and they were all silent
I remember in 'Men in Black,' there's a coffee room, a tiny little room where they have their coffee break. In the offices I worked in, yeah, there were rooms like that.
I just never saw my mother in any other room but the kitchen. There were always pots going.
At the age of seventeen, I decided I would spend my life writing fiction. I didn't know what this entailed, exactly - a room, I supposed. A room and books and paper and solitude.
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