A Quote by Pete Wells

My feeling is, if I can describe the way a steak looks on the plate, when it's just kind of juices are coming out, and it's almost alive, and just wants to be eaten, I hope that people will feel it, more than they will feel me describing the tangy minerality of the dry-aged beef between my teeth.
Sometimes even a well-rested steak will lose juices when you cut into it. Sometimes a completely un-rested steak won't spill a drop. But as a general rule, resting meat for about one-third of its total cooking time guarantees that more juices will stay inside than on your cutting board or plate.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I don't think the entertainment business in general will ever just be okay with how people are. I think we're in a business that critiques everything we do, and you kind of just take it with a grain of salt. I look at my grandmother, and I think she's aged beautifully, so I hope that I could be a smidgen of how she's aged. There's nothing you can do. All you can do is take of yourself and do the things that make you feel good and make you healthy and age appropriately, but there's always going to be people out there are going to say something, and there's nothing you can do about it.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. That's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. And that's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
The times when I feel not alive is when I feel stifled, when I feel like the emotion that's in me is not coming out. I'm too busy, too hectic. I'm serving my iPhone more than my spirit. Those are the times I feel bad.
I know a lot of people feel like they get eaten alive by New York, but I feel it more as a father figure or something - this huge presence watching over me. I definitely feel better and work freer here.
You have to feel more involved than just writing out a cheque. Charity is almost the wrong word - I think people are beginning to feel more responsible for the world.
My body becomes a raft and there's this part of me that wants just literally to go with the flow. To close my eyes and let it take me. But I know sooner or later I will have to get out, that I need to feel the earth beneath my feet, between my toes - the splinters, the bindi-eyes, the burning sensation of hot dirt, the sting of cuts, the twigs, the bites, the heat, the discomfort, the everything. I need desperately to feel it all, so when something wonderful happens, the contrast will be so massive that I will bottle the impact and keep it for the rest of my life.
Sarcasm is weird. Even not in acting, in life I feel 'sarcastic' is a word that people use to describe me sometimes so when I meet someone, it's almost they feel they have to also be sarcastic, but it can sometimes just come off as mean if it's not used in the right way.
Either I'm alive or I'm dying, she said to Daniel. Please don't feel you can't tell me. Which is it? Which does it feel like? said Daniel. He patted her hand. You're not dead yet. You're a lot more alive than many people. This isn't good enough for Rennie. She wants something definite, the real truth, one way or the other. Then she will know what she should do next. It's this suspension, hanging in a void, this half-life she can't bear. She can't bear not knowing. She doesn't want to know.
At 155, I kind of feel, when I'm fighting out there, I just don't feel like I have the right thinking ability. I kind of feel like my mind is foggy, if that makes sense. I don't really know how to describe it. Maybe it's the weight cut.
I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
Tel Aviv, Israel, me, Robbie Williams. I'm coming to see you. It's like a first date. I've got butterflies in my stomache, I can't wait. I hope you feel the same way too. There will be singing, there will be dancing, there will be banter, there will be love. Mainly from me, beaming it to you, from my heart into your heads and minds.
The more invested I am in my own ideas about reality, the more those experiences will feel like victimizations rather than the ups and downs of relating. Actually, I believe that the less I conceptualize things that way, the more likely it is that people will want to stay by me, because they will not feel burdened, consciously or unconsciously, by my projections, judgments, entitlements, or unrealistic expectations.
Being American is to eat a lot of beef steak, and boy, we've got a lot more beef steak than any other country, and that's why you ought to be glad you're an American. And people have started looking at these big hunks of bloody meat on their plates, you know, and wondering what on earth they think they're doing.
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