A Quote by Peter Bart
It's only in relatively recent years that Hollywood became the playground of multinational corporations which regard movies and TV shows as a minor irritant to their overall activity.
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The cost of campaigning has skyrocketed in recent years because of the falloff in TV viewership. With only one-third as many people watching TV as did 20 years ago, politicians have responded by buying three times as many ads, driving the cost of campaigning to levels which only favored candidates can afford.
I'm against the theory of the multinational corporations who say if you are
against hunger you must be for GMO. That's wrong, there is plenty of
natural, normal good food in the world to nourish the double of humanity.
There is absolutely no justification to produce genetically modified food
except the profit motive and the domination of the multinational
corporations.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
The upper middle class here still has options for entertainment. We have Internet, Hollywood and books. But for the majority and the masses, there is only TV. A lot of them sit at home and watch TV as they can't afford other forms of entertainment. So, we try to do shows which have inspirational value.
I'm from Hollywood. That's where we make movies and TV shows... I'm not from down here in men-fus ten-uh-see, okay?
I became obsessed watching fashion TV shows when I was a teenager and recognized that I had the height and body frame. I especially became hooked when I saw on 'E! True Hollywood Story' how much a model can make and how I can achieve a better living for my family and me.
At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
The way Hollywood and TV is, black people don't have any choice but to see ourselves in white-dominated television shows and stories and movies.
A truly global economy, as opposed to the multinational economy of the recent past, will require concessions of national power ... that seemed impossible a few years ago and which even now we can but partly imagine.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
There are so many shoot-'em-up, action, jingoistic TV shows and movies that are made every year. I think the final line is that Hollywood is populist.
All over the world there are a lot of distributors that have the equipment for 3D but they don't have the movies really. The only source of 3D movies is Hollywood. Only Hollywood sends the 3D movies. So it was an option.
Part of battle has been getting Hollywood to recognize that comic books and superheroes are not synonymous. That's been a huge breakthrough, just in recent years really, and as a result of that recent breakthrough, we've had movies like 300, Road to Perdition, and A History of Violence, that very few people realize were based on comic books and graphic novels. It's very important to make that differentiation.
In experimental art, men are given the exact specifications of coming violence to their own psyches from their own counter-irritant or technology... But the counter-irritant usually proves a greater plague than the initial irritant, like a drug habit.
I do think there's probably a little more opportunity to direct in television, because there are just so many TV shows. In movies, it still feels harder to break in. I do hope that's shifting. The difference between TV and miniseries and movies is also diminishing.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
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