A Quote by Peter Behrens

Design is not about decorating functional forms - it is about creating forms that accord with the character of the object and that show new technologies to advantage. — © Peter Behrens
Design is not about decorating functional forms - it is about creating forms that accord with the character of the object and that show new technologies to advantage.
What we're talking about is creating new forms of life on the basis of new values.
Obviously technologies that are sustainable are a logical first step to creating a just society, one that doesn't trample life in all its forms, whether it's other humans or other life forms on the earth, one that acknowledges that we're all sharing the space and that there needs to be room for every living thing somewhere.
Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
It's not a matter of old or new forms; a person writes without thinking about any forms, he writes because it flows freely from his soul.
I admire firms that have achieved a real differentiation from their competitors. Nike is all about mastering sports. Apple is all about creating technologies to make life easier and better. Audi is is all about introducing new technologies to make automobiles safer and better performing.
...It is impossible, I say, for the human mind not to believe that there is in all this design, cause, and effect up to an Ultimate Cause-a Fabricator of all things, from matter and motion-their Preserver and Regulator while permitted to exist in their present forms-and their Regenerator into new and other forms.
There are three kinds of forms in the human figure: Ovoid forms - egg, ball and barrel masses; Column forms - cylinder, cone; Spatulate forms - box, slab and wedge blocks.
Design is more than meets the eye. Design is about communicating benefits. Design is not about designers. Design is not an ocean it's a fishbowl. Design is creating something you believe in.
The widespread inability to understand technological artifacts as fabricated entities, as social and cultural phenomena, derives from the fact that in retrospect only those technologies that prove functional for a culture and can be integrated into everyday life are 'left over.' However, the perception of what is functional, successful and useful is itself the product of social and cultural--and last but not least--political and economic processes. Selection processes and abandoned products and product forms are usually not discussed.
Design is about creating spaces for people to enjoy and of course, creating moments where you elevate the spirit, but 'design for good' is figuring out a program that not only creates better spaces, but creates jobs, creates new industry and really kind of raises the conversation about how we rebuild.
There is a case for saying that the creation of new aesthetic forms has been the most fundamentally productive of all forms of human activity. Whoever creates new artistic conventions has found methods of interchange between people about matters which were incommunicable before. The capacity to do this has been the basis of the whole of human history.
With the rise of new technologies, media, and other cultural apparatuses as powerful forms of public pedagogy, students need to understand and address how these pedagogical cultural apparatuses work to diffuse learning from any vestige of critical thought. This is a form of public pedagogy that needs to be addressed both for how it deforms and for how it can create important new spaces for emancipatory forms of pedagogy.
I think the most remarkable thing about ice, in my opinion at least, is that it occurs in many, many, many different forms. Most solids occur in typically one or maybe two or three different forms, and ice has approximately 15 different crystal forms, as well as two forms that are called amorphous, which means without any shape at all.
The most common misperception is the word 'design'. People think of primarily pretty pictures or forms. They don't understand the depth to which design goes-not only in products, but in every aspect of our life. Whether it is the design of a program, a product or some form of communication, we are living in a world that's totally designed. Somebody made a decision about everything. And it was a design decision.
Women are about the best lovers of nature, after all; at least of nature in her milder and more familiar forms. The feminine character, the feminine perceptions, intuitions, delicacy, sympathy, quickness, are more responsive to natural forms and influences than is the masculine mind.
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