A Quote by Peter Farb

Native speakers of a language know intuitively whether a sentence is grammatical or not. They usually cannot specify exactly what is wrong, and very possibly they make the same mistakes in their own speech, but they know-unconsciously, not as a set of rules they learned in school-when a sentence is incorrect.
Speakers who have grown up in the American community unconsciously know its rules about taking turns in conversations-in the same way that they know the rules of grammar and the rules about appropriate speech in various situations.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
It's kind of like sentencing. A lot of people say that we have a heavy sentence for this crime and a light sentence for another crime, and what we ought to do is reduce the heavy sentence so it's more in line with the other. Wrong. In most cases we ought to increase the light sentence and make it compatible with the heavy sentence, and be serious about punishment because we are becoming too tolerant as a society, folks, especially of crime, in too many parts of the country.
A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you've already written. Often the story you're looking for is inside the sentence. The dependent clause helps you uncover it.
Everybody appears to look down on Bieber. No person able to write a grammatical sentence about Justin Bieber actually thinks him worthy of the sentence.
School is a twelve-year jail sentence where bad habits are the only curriculum truly learned. I teach school and win awards doing it. I should know.
Above all, translators must be native speakers. It’s not because they speak the language better – I understand that sometimes a foreigner can learn a language better than native speakers. It has more to do with intimate knowledge of the society for which the book is being translated.
In any language it is a struggle to make a sentence say exactly what you mean.
It is everyone's story. We are ashamed of our native language, be it Punjabi or Urdu. If you make mistakes while speaking your native languages, no one will say anything. But if you say one word incorrect in English, people will treat it like a crime.
Where strictness of grammar does not weaken expression, it should be attended to. . . . But where, by small grammatical negligences, the energy of an idea is condensed, or a word stands for a sentence, I hold grammatical rigor in contempt.
I work every day until I do not have more to say. I learned from Graham Greene that a very good way is to stop work in the middle of a sentence. Then you know exactly how to continue the day after.
If you listen to the urban speech patterns there you'll find it's quite characteristic that a sentence will begin in one language, go through a second language and end in a third. It's the very playful, very natural result of juggling languages. You are always reaching for the most appropriate phrase.
A language is not just a body of vocabulary or a set of grammatical rules. ... Every language is an old-growth forest of the mind.
A real friend is someone you say a sentence to and they know ten thousand words behind that sentence.
'I am' is reportedly the shortest sentence in the English language. Could it be that 'I do' is the longest sentence?
This site uses cookies to ensure you get the best experience. More info...
Got it!