A Quote by Peter Farrelly

Movie 43 is about the hardest R Rated comedy ever. — © Peter Farrelly
Movie 43 is about the hardest R Rated comedy ever.
'Movie 43' is about the hardest R Rated comedy ever.
I'm one of those people who likes a good G-rated movie. So many of my favorite movies are G-rated. I think it's exciting to see a director really push the limits of how exciting a story can be told without ever crossing the G-rating line.
The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.
My problem is with the warped value system our culture has. Why is it that if you knife a woman in a movie it's PG, but if you swear at her it's rated R and if you make love to her it's rated X?
The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated, and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
I have a completely new knee. It's brilliant. I am not feeling my age at all. I feel about 43, a willowy blonde 43 years old with long legs.
The movie studios, they only like to make - I make a joke, but it's true - if the movie has the word "man" and a number in the title, they'll make it. If it doesn't have that, it's an R-rated raunchy comedy, and that's it. Any other movie that you're going to make is going to be an independent one. So for filmmakers who want to do something other than "man" and a number, it's either independent films or television, which is like the place for real creative filmmakers to go.
How about a good comedy? 'Raising Arizona.' Remains the funniest movie I've ever seen in my life.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
'It's a Wonderful Life' was a mainstream Hollywood movie about faith, redemption, religion, and it was rated G.
In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.
WWE prepares you for everything in entertainment. It's the truth. You need a host? Get a WWE Superstar. You need someone for an action movie, a comedy movie, a drama movie, you get a WWE Superstar. Because these guys are the most well-versed, well-trained, and hardest working guys out there.
I want to be the band everyone knows that goes hardest. Plays the hardest, parties the hardest, lives the hardest, loves the hardest, does everything the hardest, harder than anybody else.
For a movie's success, comedy must blend with the storyline. Else, comedy might click but the movie will die.
To me, the script is a living, breathing organism. Comedy is something that is ever-changing and ever-flowing with the vibe and the mood of the movie.
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