A Quote by Peter J. Carroll

Careful observation will confirm that virtually all spontaneous parapsychological events occur through some form of sleight of mind. It is invariably something hovering just below the threshold of awareness that initiated an unusual event or gave one a curious half sensed feeling that something was about to happen just before it did. The magician seeks to exploid this effect deliberately, but in doing so he must avoid doing it deliberately as it were. Conscious lust of result destroys magical effect, so trickery must be employed to annul it and to activate the subconscious.
When a young writer deliberately tries to create an effect, the result is often a little self-conscious and overdone. But why is it so hard for us to glory in what the writer has tried to do, or even in the very fact that the writer has deliberately tried to do something?
The unusual thing about doing street poster art - or something with a conscious social critique in it - is that the artist thinks they're a little in control, focusing and trying to make a specific point. But even then, when you look at it a few years later, you realize you were just working through some of the usual feelings you were going through during that time.
According to the Law of Cause and Effect, every effect must have a cause. In other words, everything that happens has a catalyst; everything that came into being has something that caused it. Things don't just happen by themselves.
Watch and enjoy Mixed Martial Arts, and if some people are thinking about doing it, they must be very careful and think about enrolling in training first, they must make a thoughtful decision before actually doing it.
Another effect of news articles is that the events, however frightening, can thus be consigned to the box of things that happen to other people, not us, and that we are doing things to bring them under control. This is the diet we're fed all the time, so we acculturate to it. And news must, in turn, follow the form to which we - our bodies - are accustomed: describe the event, incite the fear, then say how it's being addressed, how the herd's alpha males are dealing with it.
By subliminal, I mean things that occur in our world that are below the threshold of consciousness but do have a psychological effect on us.
If I want to understand something, I must observe, I must not criticize, I must not condemn, I must not pursue it as pleasure or avoid it as non-pleasure. There must merely be the silent observation of a fact.
Your Conscious desires and your Subconscious intention must be in alignment. If your Conscious Mind wants one thing and your Subconscious Mind wants something else (counter-intention) it is impossible to create what you truly want.
I got very lucky that some of the things that I wanted to work did work. Not because I knew what I was doing, just through dumb luck, it just looked beautiful and sounded great and captured some magical mood. And you just have to hope that you get lucky when you do big things like making a movie, or something.
Nothing in all Nature is more certain than the fact that no single thing or event can stand alone. It is attached to all that has gone before it, and it will remain attached to all that will follow it. It was born of some cause, and so it must be followed by some effect in an endless chain.
When someone is in a state of flow, that person's brain is not thinking about anything - it's just processing things through chunks at a total instinct level. Athletes in a state of flow describe knowing what will happen just before it does - knowing how a defender will react to a certain move an instant before doing it. Of course, if you know what will happen, you can succeed at doing it, so an athlete in flow has a stand-out game.
I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.
Obviously, when I learn about something new that I can do in my everyday life that makes a whole lot of sense and can help the environment, I do it. Eventually, it just becomes second nature. If we all begin to learn from one another and share some of the things we do, we just might be able to affect the world for the better through these little rituals. In a curious way, this would be a great wave of awareness: doing the right thing without being told to or having to think why.
The cause being finite, the effect must be finite. If the cause is eternal the effect can be eternal, but all these causes, doing good work, and all other things, are only finite causes, and as such cannot produce infinite result.
I think at some point there may be artists who will get fed up, and they deliberately want to use their art as a means to rock the waves a little bit. And instead of doing the status quo, they'll deliberately go out to really make a change. I think Kendrick Lamar is an example of that.
I let one thing result from another. Of course, all of it could have been just loosely connected coincidences. And whether that's true or not, I know the intention was there. Becasue when I want something to happen-or not happen- I begin to look at all events and all things as relevant, an opportunity to take or avoid.
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