A Quote by Peter Riegert
I did 'Animal House' in 1978, then 'Local Hero' in 1983, and then in '88, 'Crossing Delancey.' And I realized that every three to five years, you need a big role to put you into the national psyche.
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Yeah, I was a local hero. It was great for me, 'cos I had a full house every night all night seven nights a week for five years that I played. The next five years I just played five days a week, but I still had a full house every night.
My parents say it all began with my role of Percy the Polar Bear back in nursery school! I began dance classes at the age of five (you would never guess though) and then I went on to join my local theatre group, Glantawe Players, at the age of eight and then Swansea Amateur Dramatics Society. I then joined the National Youth Music Theatre, so I really can't remember a time when I wasn't interested in Musical Theatre!
I did 30 Minute Meals for five years on local television, and I earned nothing the first two years. Then I earned $50 a segment. I spent more than that on gas and groceries, but I really enjoyed making the show and I loved going to a viewer's house each week. I knew I enjoyed it, so I stuck with it even though it cost me.
Just about every children's book in my local bookstore has an animal for its hero. But then, only a few feet away in the cookbook section, just about every cookbook includes recipes for cooking animals. Is there a more illuminating illustration of our paradoxical relationship with the nonhuman world?
I had so many local shows before I came back to New York, which is the ideal place to do a national syndicated show. Then I spent five years trying to convince people to give me a shot in the syndication business.
I adopted two children, then I got eye disease and five rounds of surgery. I went blind in one eye, then the other eye, and that went on for three or four years. I got very enamored and involved with the theater and did a lot of plays.
I went on a road trip and ended up in Portland, Oregon, and from there, I did non-stop theater. I had just graduated, and I had all these ideas about what good acting was, but I hadn't put any of it into action. I spent five years honing my acting chops. And then I had this epiphany one day that I need to go to L.A.; I need to be on a sitcom.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
You give the guy an Image Award three years in a row and then turn on him like that? If that's the role they want to fulfill, they need to send a clearer message.
With these big Wagner pieces, if I haven't started three years before, I'm screwed. You need time to look at the piece again and again and again, and then, like some fantastic casserole or spaghetti sauce, put it back in the fridge and let the flavours get together.
It's an issue that we need to have a national discussion about, the militarization of local police forces, and then when they are used to quell peaceful demonstration. Then we have a problem, and especially around this entire case of the murder of Michael Brown at the hands of a Ferguson police officer.
I've always had different diet kicks. I grew up in a big Italian family, kind of grew up a chubby kid, then went vegan in fifth grade. I did that for three years, then I went raw in high school. It's always been extreme, but in the last few years I've gotten into balance. I don't restrict myself like I used to.
Some of us seem to be born with a drive to try to make the world kinder. In my twenties, living in New York City, I worked in a soup kitchen every Sunday for many years, just trying to do my part. Then I read Animal Liberation and learned about factory farming and the killing of animals for oven cleaner and realized nobody needed my help as badly as the animals did.
I say it was like this accidental research that I did for eight years. I had no idea I was researching the role of my career. But yeah, and there was this one casting director named Allison Jones, and for five years she would call me in every year for a different TV show and she just really was a big supporter of mine.
My generation started in big tournaments. '88 Olympics, we got silver. '89 European Championship, we got gold. 1990 World Cup in Argentina, we got gold. '91 European Championship, we got gold, and then there was a civil war, and for three years, we didn't play.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
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