A Quote by Peter Sarsgaard

If you go in and audition for roles rather than just be offered them, then you kind of get a chance to kind of discover that you can do something that you didn't think you could do.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.
I am an outsider. I was never offered the kind of roles where I could play the glamorous diva, because there are already so many of them doing it - and doing it well. So I had to bring to the table much more than just looking good.
I'm in a fortunate position that sometimes you just get offered roles - they're not necessarily the roles you take, but to get offered a film is amazing. I think the work you've done before that is why you get it.
It's easier to get an actor when you just ask them to do a day on something rather than have them come in, audition, get picked.
I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.
I think the parts I was offered when I was younger, where I was asked to play that kind of slacker person, that was just because people would go, "Oh, she has dyed black hair." I guess that's how they thought I looked. I played a couple of those roles, and then unfortunately you get pigeonholed really fast, and then you just keep getting asked to do that. And now it would be weird at the age of 46 for me to play a slacker. It would look like I was nuts.
The kind of roles which you get, people identify with your roles, and it then leads to the kind of brands you get.
I just don't want to miss anything in the lives of my children while they are still young. It's why I don't audition for leading roles at all and why I say no to some of the supporting roles that I do get offered.
I wanted to go to a place where I could think, really sink into my own imagination, or ride it, or drift along it, as in a balloon. The kind of place that probably all writers crave. The kind of place where the outside world is still and quiet and you get a chance to listen, to peer, to go inward
The girlfriend roles that we are usually offered are nearly always just kind and supportive. So it is refreshing for women and for men to see something different.
It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
I like doing films and I wish that I could do more but I still have to audition. I don't get offered starring roles in movies even though I've written and starred in a movie.
Living a life fully engaged and full of whimsy and the kind of things that love does is something most people plan to do, but along the way they just kind of forget. Their dreams become one of those "we'll go there next time" deferrals. The sad thing is, for many there is no "next time" because passing on the chance to cross over is an overall attitude toward life rather than a single decision.
'Hotel For Dogs' was fun for my family, but it was kind of hard to get in the audition room for 'Jennifer's Body' after that, you know? But I think the roles find me, in a way.
Sure, some employers are are afraid of letting older workers go because they think they're going to get sued. And they probably will get sued. But the reality is, you could get sued at any time by any kind of worker. I think its incumbent on an employer, if they want to be smart, to figure out what is the benefit of keeping this employee or letting them go. Do the calculation and just go ahead and either keep them or let them go based on what's good for the business.
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