A Quote by Peter Vack
When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.
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Sometimes I forget that I am even watching myself, realizing that's me. It's like you almost become a fan yourself: You are just this normal person watching this show, and then you realize that it's your show. It's weird sometimes.
One of the things that I learned is that you never truly know yourself until you challenge yourself. It is when you are confronted with challenges that you see what you are really made of, what is important to you and what your true aspirations are...sometimes you think that you really know yourself, and then you find out that you really don't.
You want to take yourself seriously, and you want to make something that you hope will have resonance with the audience. You want to bring your perspective and what you consider your talent to that piece of work, and you move forward in that direction. Sometimes that's easy, and sometimes it's met with resistance because you're dealing with situations where, for everybody else, it's a piece of business.
You do run and scream and cry and work yourself up into hysterics, and then you get back to the hotel at the end of the day, and you feel really off and really strange. And that's because rationally, even though you know everything is OK, you have put yourself through this traumatizing experience, and your body is still going.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.
So the best thing is to really work on yourself and opening your own heart and just letting all that stuff [worrying] go. And it is possible. It's sometimes takes a lot of time; it's not easy. And a lot of sitting with yourself and trying to work with your own heart.
I'm really excited to act again because when I started out, there was an innocent sort of perception of the world that was coming though me, and I think now through a lot of experience and life and understanding, I've come full circle to having a purer response to things. So my craft will be really interesting to work from this place because I think acting is about being in tune with yourself - or maybe the struggle to be in tune with yourself.
Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.
I think maybe what happened was the convenience of technology overshadowed the experience of holding an album in your hands, and sitting on your bedroom floor, and staring at a picture of John Lennon or Gene Simmons or Johnny Rotten. That tangible experience can sometimes become an even more emotional experience, because it's really happening.
When you’re confronted by a really difficult thing in your life, you’re faced with a choice: you can runaway from it, or you can face it, confront it, and work through it. But to work through it, sometimes feels like holding your own head below water when you’re already drowning. Your natural instinct when drowning is to get back up to the surface and give yourself some relief from that terrible situation…you just want to breathe again.
Have fun, entertain yourself with your work, make yourself laugh and cry with your own stories, make yourself shiver in suspense along with your characters. If you can do that, then you will most likely find a large audience; but even if a large audience is never found, you'll have a happy life.
You've got to be willing to stay committed to someone over the long run, and sometimes it doesn't work out. But often if you become real honest with yourself and honest with each other, and put aside whatever personal hurt and disappointment you have to really understand yourself and your spouse, it can be the most wonderful experience you've ever had.
I learn an amazing amount from watching television and movies because if you watch things that really work and don't work, it teaches you so much about what you do for your own craft. I think that if you're auditioning for a show, you need to know the world of the show, or you can't represent it very well.
Your personal freedom to experience yourself and life as you wish is not being limited. Step into your choices and stop telling yourself that you can't, when what you really mean is that you don't want other people to feel the way you think that are going to feel when they see you making the choices you really want to make.
Sometimes it takes courage and experience to allow yourself to actually go into being someone that you're not, and it's the most liberating thing to let go. I do think that's why I love acting - it's being someone that you're not. And sometimes you're really scared of it, and then once you let yourself go there, it's the best thing ever.
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