A Quote by Peter S. Beagle
Only to a magician is the world forever fluid, infinitely mutable and eternally new. Only he knows the secret of change, only he knows truly that all things are crouched in eagerness to become something else, and it is from this universal tension that he draws his power.
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Man... knows only when he is satisfied and when he suffers, and only his sufferings and his satisfactions instruct him concerning himself, teach him what to seek and what to avoid. For the rest, man is a confused creature; he knows not whence he comes or whither he goes, he knows little of the world, and above all, he knows little of himself.
Man knows himself only insofar as he knows the world, becoming aware of it if only within himself, and of himself self only within it. Each new subject, well observed, opens up within us a new organ of thought.
The secret of Masonry, like the secret of life, can be known only by those who seek it, serve it, live it. It cannot be uttered; it can only be felt and acted. It is, in fact, an open secret, and each man knows it according to his quest and capacity. Like all things worth knowing, no one can know it for another and no man can know it alone.
You're the only one who knows when you're using things to protect yourself and keep your ego together and when you're opening and letting things fall apart, letting the world come as it is - working with it rather than struggling against it. You're the only one who knows.
A warrior knows that he is only a man. His only regret is that his life is so short that he can't grab onto all the things he would like to. But for him, this is not an issue; it's only a pity.
A man’s ignorance sometimes is not only useful, but beautiful - while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with - he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or he who really knows something about it, but thinks that he knows all?
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
... a warrior knows that he cannot change, and yet he makes it his business to try to change, even though he knows that he won't be able to. That's the only advantage a warrior has over the average man. The warrior is never disappointed when he fails to change.
No one can give anyone else the gift of the idyll; only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes; it knows no development.
Only what we have lost forever do we possess forever. Only when we have drunk from the river of darkness can we truly see. Only when our legs have rotted off can we truly dance. As long as there is death, there is hope
The wisest is he that knows only that he knows nothing. God only knows. We mortals are only troubled with morbid little ideas, sired by circumstance and damned by folly. The human head can absorb only the flavorings of its surroundings. We assume that our faith political and our creed religious are founded upon our reason, when they are really made for us by social conditions over which we had little control.
Love remains a secret even when spoken, for only a true lover truly knows that he is loved.
What's really going on is, on your iPhone, you have 200 apps, and they're all collecting a little data on you. Twitter knows a certain thing, Foursquare knows something else, my Fitbit app knows something else, my Waze app knows something else.
My door is open 24 hours. We can discuss things - I don't think I'm a magician or the only guy who knows anything about football.
Newness only becomes mere evil in its totalitarian format, where all the tension between individual and society, that once gave rise to the category of the new, is dissipated. Today the appeal to newness, of no matter what kind, provided only that it is archaic enough, has become universal, the omnipresent medium of false mimesis. The decomposition of the subject is consummated in his self-abandonment to an ever-changing sameness.
A real secret is something which only one person knows.
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