A Quote by Phil Collins

As soon as you start making a record, things start getting lined up: the promotion, possibly even a tour. — © Phil Collins
As soon as you start making a record, things start getting lined up: the promotion, possibly even a tour.
I'm usually going to make a record, finish a record, start a record or start a tour or between tours.
We've all got to make sure we're all pulling in the same direction. That's what's going to keep us ahead of the ball. As soon as we start getting in the opposite direction, that's when we start getting behind, and the results will start to show.
Start out understanding religion by saying everything is possibly wrong... As soon as you do that, you start sliding down an edge which is hard to recover from.
I only toured for three months. As soon as I got off [tour], I was just dying to start recording, because it was on my mind: 'I've got to make another record now.' And I was totally excited.
Saying "I'll start managing my money as soon as I get caught up" is like an overweight person saying "I'll start exercising and dieting as soon as I lose twenty pounds."
When I start gearing up to do each new season of 'Murdoch', my wife will often catch me out. I start speaking differently. I start enunciating, and start using certain highbrow words, and things like that.
As soon as you start to get tired, as soon as you start to get behind, as soon as your coach starts yelling at you, a lot of doors open up to quit; you got to find that one reason to stay in that battle, one reason to stay in the fire and fight.
It's complementary. It's fairly clear where the boundaries are. When I start telling you the contents of his head, I am making it up. But I try to make it up based on what is on the record. So even my wildest speculations [on Thomas Cromwell] will have a root somewhere.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.
I like to compare the attitude and energy of an emerging start-up to that of the early hip-hop era. From working at labels like Bad Boy and Ruff Ryders, walking into the Def Jam offices, A Touch of Jazz and things like that, the vibe is that off making something out of nothing and making things work, and that's what I love about start-ups.
If you make a decision in your life, even one as eminently logical and self-improving as "Why'd you start washing your hair every day?" and you start getting questioned hourly about it, you're going to start second-guessing yourself.
You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
In the start-up setting and in most companies, the output is action-oriented. You need to be getting things done and making decisions, often with limited information.
You start making movies and people start seeing when you go to places, and all of a sudden you are getting clothes for free and all of a sudden you are getting food for free.
As soon as you start to feel differently about what you already have, you will start to attract more of the good things, more of the things you can be grateful for.
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