A Quote by Philip Glenister
We're so screwed up with our principles. We used to mock Japanese game shows where they ate bugs. Now we're doing the same, if not worse. It's terrifying... It seems the better the quality, the more you're penalised... There are some very good people in television, but a lot of fools running it. They put fame ahead of talent and think someone from 'EastEnders' will put bums on seats.
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There are some very good people in television, but a lot of fools running it.
Now the Japanese companies are more focused on that. To have two independent directors - I think it's good to have outside people look at you and think of what you could be doing better. Those are voluntary, but most of the companies told me they're going to do it. And I think it's good for them to say our returns on equity, for example, should be higher. Also, I think some could be more ambitious.
The good thing is that I really think that American television is in kind of a second golden age. Even though there's a lot of reality and all those contest shows, which aren't my kind of shows, the scripted stuff that's going on is so good right now because of basic cable. Everyone has stepped it up and realised that people like quality.
There are times when I think, if I were a bit more famous, life could be easier in terms of work because producers want bums on seats, and they're going to get bums on seats if they get a name, if you have had that series on telly.
It's kind of ironic that when you look at the evidence of intelligence and so on, a lot of it is anecdotal. A lot of it is, "Well, we saw this dolphin do this extraordinary thing," or, "We screwed up with our apparatus, and then the dolphins did this." And so it seems to me that the more we can actually watch them doing their thing, the better chance we'll have of making some sense of them.
When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.
Some are so uncharitable as to think all women bad, and others are so credulous as to believe they are all good. All will grant her corporeal frame more wonderful and more beautiful than man's. And can we think God would put a worse soul into a better body?
I was more aware initially of shows like Tales of the Unexpected. And the BBC used to put on a lot of one-off, bizarre television plays.
I was going to say it's pretty bad these days, but I actually think it's pretty much the same as it's always been: There are a few really great shows on, and a bunch of garbage. That's the nature of the beast. It's always going to be that way as long as the networks try to second-guess what the American public will like. I wish that they'd just put on what they think is good rather than what they think people will sit through. I bet they'd have the same success rate, but at least the shows that survived would be better.
I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.
I'm afraid that people who know me as I usually am will discover I have another side, a better and finer side. I'm afraid they'll mock me, think I'm ridiculous and sentimental and not take me seriously. I'm used to not being taken seriously, but only the 'light-hearted' Anne is used to it and can put up with it; the 'deeper' Anne is too weak.
There are a lot of people who have used the same samples I've used, but there's no way they flipped it the way I did. So, when I put my version out, people completely forgot that this [other] person did it. Everyone can have the same product, but it's more about the way you present it and put it together.
I feel very keenly the eyes of the foreign media on our country. And I think a lot of Japanese people feel that things are not working the way they should. When the time comes, I will put myself forward.
I think that people are most comfortable when they can put you in a box - and that's very easy to do that when someone can put you in more serious roles. I'm not blaming them for that - it's just up to me to show people what I can do.
I worry that there are people who are put in positions of authority because they're good talkers, but they don't have good ideas. It's so easy to confuse schmoozing ability with talent. Someone seems like a good presenter, easy to get along with, and those traits are rewarded. Well, why is that? They're valuable traits, but we put too much of a premium on presenting and not enough on substance and critical thinking.
Even in the tragedies, Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools. He puts in certain middle-range characters. And when you go to the Globe, you realize how that all works. The people who paid more sat in seats around the edge. Everybody else paid a penny. They put it into a tin box - that's why we call it the "box office." They stood in the pit, but they were very close, so when Hamlet was doing his soliloquy, it was addressed to you, the audience - right there.
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