A Quote by Philip Larkin

Originality is being different from oneself, not others. — © Philip Larkin
Originality is being different from oneself, not others.
Studying the Buddha way is studying oneself. Studying oneself is forgetting oneself. Forgetting oneself is being enlightened by all things. Being enlightened by all things is to shed the body-mind of oneself, and those of others. No trace of enlightenment remains, and this traceless enlightenment continues endlessly.
In Zen Buddhism an action is considered good when it brings happiness and well-being to oneself and others, evil when it brings suffering and harm to oneself and others.
I think through living one's life, one both changes and remains the same. One can see it either way, one can see oneself as being now what one was and one can see oneself as being absolutely different from what one was. It's a trick of thought.
To me, everything is endless variations on other things. Like waves in the ocean. They continue to turn over on each other, and they're all slightly different. I don't know if originality is possible. Is it even necessary? Because everything is different than what came before, but it's all branches from the same tree. Originality is overrated, but what you do with things is always different.
Searching all directions with one's awareness, one finds no one dearer than oneself. In the same way, others are fiercely dear to themselves. So one should not hurt others if one loves oneself.
What is hard work? It takes strength, energy, and stress to truly care about others enough to place oneself last, but it is easy to wrap oneself up and selfishly scramble on the heads of others.
If you shift your focus from oneself to others, and think more about others' well-being and welfare, it has an immediate liberating effect.
So often loneliness comes from being out of touch with parts of oneself. We go searching for those parts in other people, but there's a difference between feeling separate from others and separate from oneself.
The poet is primarily a spokesman, making statements or incantations on behalf of himself or others - usually for both, for it is difficult to speak for oneself without speaking for others or to speak for others without speaking for oneself.
When one is a stranger to oneself, then one is estranged from others, too. If one is out of touch with oneself, then one cannot touch others. Only when one is connected to one's own core, is one connected to others. And for me, the core, the inner spring, can best be re-found through silence.
When one is a stranger to oneself then one is estranged from others too. If one is out of touch with oneself, then one cannot touch others. Only when one is connected to one's own core is.
One would always want to think of oneself as being on the side of love, ready to recognize it and wish it well -but, when confronted with it in others, one so often resented it, questioned its true nature, secretly dismissed the particular instance as folly or promiscuity. Was it merely jealousy, or a reluctance to admit so noble and enviable a sentiment in anyone but oneself?
If to talk to oneself when alone is folly, it must be doubly unwise to listen to oneself in the presence of others.
Because one believes in oneself, one doesn't try to convince. Because one is content with oneself, one doesn't need others' approval. Because one accepts oneself, the whole world accepts him or her.
I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
Telling a true story about personal experience is not just a matter of being oneself, or even or finding oneself. It is also a matter of choosing oneself.
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