The way you speak of the characters in your story shows what you think of the values of conservatives‚ or evolution, for example. It shows where your moral center is. So you are in the message business whether you like it or not.
Your body is an absolute mirror of your mind. As you worry, your body shows it. As you love, your body shows it. As you are overwhelmed, your body shows it. As you are angry your body shows it. Every cell of your body is being allowed or resisted by the way you feel. 'My physical state is a direct reflection of how I feel', instead of 'How I feel is a direct reflection of my physical state'.
We are blessed to not have violence at our shows. People come to our shows and act a clown. When you do music, you have no control who comes to your shows. I'm sure they have fights at Miley Cyrus shows.
I think heroes are important in the lives of kids because it shows a child what to become, it shows a child what's possible; it shows a child not just by theory but by active example.
The story of Rod Stewart, the story of Carlos Santana is so inspiring to young musicians because it shows in this trendy business how long a career can last. It shows how you can soar back, regardless of age.
When you enjoy the moment you're in, it shows in your actions, it shows in your words, in your expressions and in your eyes.
The way you talk about yourself and your life-your story-has a great deal to do with what shows up in your day-to-day experience. Your thoughts create filters through which you view your life. If you think of yourself as a Victim, you filter all that happens to you through the lens of DDT, and you find plenty of evidence to support that viewpoint. That's why the orientation you adopt is so important: it exerts a powerful influence on your life direction.
TV shows and stuff give people in the show business very bad names. I'm not going to name any shows, but a lot of shows.
I think beauty shows exteriorly what you are feeling inside; so if you are not in a great mood, it shows on your face a lot.
I work really hard on the shows and I think the shows speak for themselves. I don't want to construct the show to prove something.
Ever since I was a little kid, whenever my parents would have company over, I would put on shows, whether they would be magic shows, singing shows, dancing shows, little skits.
In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.
If nobody comes to your shows, then it's modern dance. If everybody comes to your shows and no one likes it, is that ballet? I don't know.
I go out in the streets, and I go to shows, and I see my fans turn from "I like your last rap" to "I feel your movement; you're keeping it all the way real." One thing I've always said is that's never been my story, and I'm not going to go back on my word.
I've always enjoyed shows like 'The X-Files,' where you're on the edge of your seat and you're so invested in these characters.
The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.