A Quote by Philip Seymour Hoffman

The ambition, the drive, the wanting to be the center of attention, the wanting to succeed... They're all inside me somewhere. — © Philip Seymour Hoffman
The ambition, the drive, the wanting to be the center of attention, the wanting to succeed... They're all inside me somewhere.
For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
Contentment is wanting what you have. Ambition is wanting what another has. Progress comes from wanting what nobody has.
What ignited the rocket that sent you up into the vast regions of comedy, and why? I would say, for me, that philosophical treatise about having black beginnings and wanting love to compensate for that, wanting audiences and wanting attention - I say, "Au contraire." Completely opposite. I want the continuation of my mother's incredible love and attention to me.
. . . hell is wanting to be somewhere different from where you are. Being one place and wanting to be somewhere else . . . . Wanting life to be different from what it is. That's also called leaving without leaving. Dying before you die. It's as if there is a part of you that so rails against being shattered by love that you shatter yourself first.
A lot of the music comes out of that conflict of wanting this other thing and feeling guilty about wanting it, and then it guiding me somewhere despite my kicking and screaming.
A lot of the stories are internal. They leak it to me wanting to get attention, wanting to get that headline. More times than not, I will not give it to them.
Acting, for me, has never been about wanting attention or wanting to be seen. It's funny that I'm in a profession where that's where I am. There's so much I want to express; it's about connecting with another person and the intimacy of what that is, and so I have to overcome my shyness.
Only yesterday a young woman came to me wanting a trap set for a man with a sweet smile and lithe arms. She was a fool, not for wanting him, but for wanting more of him than that.
I had spent my entire career not wanting to talk about weight, not wanting to deal with it, wanting to be an actor first.
Well, you have the public not wanting any new spending, you have the Republicans not wanting any new taxes, you have the Democrats not wanting any new spending cuts, you have the markets not wanting any new borrowing, and you have the economists wanting all of the above. And that leads to paralysis.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
All these questions about do you want to be king? It's not a question of wanting to be, it's something I was born into and it's my duty. . . . Wanting is not the right word. But those stories about me not wanting to be king are all wrong.
Stress is caused by being here but wanting to be there, or being in the present but wanting to be in the future. It's a split that tears you apart inside.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
You are a creator; you create with your every thought. You often create by default, for you are getting what you are giving your attention to wanted or unwanted but you know by how it feels if what you are getting (creating) is what you are wanting or if it is not what you are wanting. (Where is your attention focused?)
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
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