A Quote by Phillip Schofield

I attempted to beat a Michelin-starred master chopper at prepping vegetables and making stuffing. He was doing it by hand, I was using a blender. It was bloody close too, he just beat me.
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
I tell myself, 'You're too fast, you're too strong, you're too quick. You can't be broken, you can't be beat. If you can't be broken, you can't be beat.' And I just beat it into my head.
I've always said this: I've never seen a Michelin three-starred restaurant that was a buffet. They usually serve à la carte. I do think the delivery of a specific service, a specific advice for a specific reason, is the way you get the equivalent of a Michelin three-starred relationship.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
Bill Ward, when you hear his beats, he's not just playing a straight 4/4 beat; he's doing almost a hip-hop beat. There's a song called 'Sweet Leaf.' The drum beat that he's playing, he's trying to kind of swing and funkify it. Now, is he doing a great job of it? Maybe not. Maybe.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
In football we always said that the other team couldn't beat us. We had to be sure that we didn't beat ourselves. And that's what people have to do, too - make sure they don't beat themselves.
I like tinkering with the tribe beat boxes and love using Reason as a beefed up beat box.
I couldn't beat Michael Phelps. A couple of years ago, I was racing against him and it just kinda dawned on me during the race that there was no chance I was gonna beat this guy. And so I said, if you can't beat him, find a race that he won't swim.
I need someone to be like, 'I can beat Bert in a marathon.' And then my Mickey Mantle genes will kick in and I'll start going, 'No you can't. You can't beat me, because I'll beat myself.'
'In the nineteenth century, we beat the British more than once,' Afghans often told me. 'In the twentieth century, we beat the Russians. In the twenty-first, if we have to, we'll beat the Americans!'
I want someone to attack me. No weapons. Just me and him. I like to beat men and beat them bad
Without Metallica, I wouldn't be doing what I am doing. I have every Metallica record, of course, and I would spend hours on drums in my parents' basement with the stereo behind me, cranking those records and learning Lars' drum beats, beat by beat.
Humor is like music. It's a rhythm, and you just kind of get the rhythm of it, and you have to know not to let the beat go too long, but to leave a beat in there for it to gel.
You beat him verbally. You beat him mentally, and then finally, you beat him physically. That's the three ways to beat a man.
My brother was probably one of the toughest kids from my neighborhood and he didn't make it easy on me. He made sure I was getting beat up as much as possible growing up. If he wasn't beating me up, he was making his friends beat me up.
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