A Quote by Pia Zadora
You know, after the film I said to myself, "It's a good thing you were so stupid not to be nervous. If I'd been nervous, it would have ruined the whole thing.
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Basically, I was a little bit nervous before competing beam at the Olympics, and I had this nervous thing to just talk to myself, like 'You can do it, you can do it.' And right before I hopped up there, I said, 'I got this.'
I always get nervous. It's usually a good thing. I worry about the nights that I'm not nervous, actually.
I definitely have been nervous, but often I get more nervous performing with the corps de ballet than doing a solo. There's so much pressure doing a group number because if you muck it up, you've ruined it for everyone.
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
I was nervous about a Corbyn government, although I would have supported it because a lot of the policies were good. I was far more nervous of a Conservative government but here it is, we've just got to deal with it.
I get nervous when I don't get nervous. If I'm nervous I know I'm going to have a good show.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
Singing Flower of Scotland was the only thing that made me nervous.I don't get nervous doing my own shows.
I was never nervous directing. Not once. I'm more nervous acting. I'm far more nervous on set, before I say my lines, than I ever have been, as a director.
The first day of shooting came, and of course I was nervous. I would lie if I said I wasn't impressed. I mean, Lars von Trier hiring me to be the king in 'Medea'... Lars said, 'Stop! Stop!' And I was so nervous, I turned around and said, 'What is it?' He said, '... Just be a tired king.'
If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
The thing I'm most interested in is the nervous system. How do brains grow? How do genes build complicated nervous systems?
The interesting thing is I don't get nervous for big things. I don't know why this happens, but I will get like, puke-nervous when I'm going to do a presentation at school or go fill up my gas, but if I'm about to go on Jimmy Fallon, I am stress-free.
You talk more when you're nervous," he said, still standing close to her. "No i don't. That's absurd. I'm just trying to explain to you-" "Do i make you nervous?" "No. I'm not nervous." "You're trembling." "I'm cold. I'm wearing practically zero clothes." His glance went to her lips, then back to her eyes. "I noticed.
I can't accept "our nervous age," since mankind has been nervous during every age. Whoever fears nervousness should turn into a sturgeon or smelt; if a sturgeon makes a stupid mistake, it can only be one: to end up on a hook, and then in a pan in a pastry shell.
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