A Quote by P. J. O'Rourke

Like Rick in Casablanca: "We'll always have Paris." When what we'll always have is, like, Brooklyn and arguments about [Lev] Trotsky. — © P. J. O'Rourke
Like Rick in Casablanca: "We'll always have Paris." When what we'll always have is, like, Brooklyn and arguments about [Lev] Trotsky.
Rick Blaine: We'll always have Paris. We didn't have Paris, we lost it until you came to Casablanca. We got it back last night. Ilsa Lund: When I said I would never leave you. . . . Rick Blaine: And you never will. But I got a job to do too. Where I'm going you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now . . . here's looking at you kid.
I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French.
Capt. Renault: What on Earth brought you to Casablanca? Rick Blaine: My health, I came to Casablanca for the waters. Capt. Renault: The waters? What waters? We're in the desert! Rick Blaine: I was misinformed.
When I turned 18, my agent was like, 'You should change from Ricky to Rick.' So I thought it was a good idea. Rick never really fit. I tried for 18 years to make it work, and no one wanted to call me Rick. It should always have been Ricky. That's what it always should have been, so I'm going back to it.
Trotsky found out about him - Leon Trotsky - because A.J.[Muste] worked. He was an activist. And he organized the first sit-in strike in Toledo in a factory. And Trotsky was very impressed with that.
In Paris, when the picture came out [Casablanca] they weren't too pleased with it. They didn't like the political point of view. The picture was taken off immediately and was never sold to television. A while ago it was brought in and opened in five theatres in Paris, as a new movie. They had a big gala opening where I appeared and people were absolutely crazy about it.
I live in Brooklyn, and there's so many interracial couples in Brooklyn. In Brooklyn, you don't talk about race like that.
Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.
'Rick' never really fit. I tried for 18 years to make it work, and no one wanted to call me Rick. It should always have been Ricky. That's what it always should have been, so I'm going back to it.
It was Rick's Rubin idea to have the 'Brooklyn' verse repeat. It already was a story, but having that made it a folk song. Instead of this rambling march of verses, Rick understands that music needs hooks. You need that repeated chorus, that everyone can sing along to.
I have the most respect for Rick. You're always going to see a Shameik Moore and Rick Famuyiwa film.
It was always a funny thing when someone would ask me my name and I would say "Brooklyn." They would always think that I meant that I lived in Brooklyn, and I would have to clarify that.
I loved 'Casablanca.' You know, right vs. wrong. I think I like a movie where there is a victory, right over wrong, but there's always some price to be paid.
I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee.
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!
This site uses cookies to ensure you get the best experience. More info...
Got it!