A Quote by Princess Diana

It took a long time to understand why people were so interested in me, but I assumed it was because my wonderful husband had done a lot of wonderful work leading up to our marriage and our relationship. But then, over the years, you see yourself as a good product that sits on a shelf and sells well. People make a lot of money out of you.
You see yourself as a good product that sits on a shelf and sells well, and people make a lot of money out of you.
I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I'm a massive movie nerd. That being said, I could retire tomorrow because I wrote this movie 'Goon' and it came out, and it connected and it's a wonderful flick that I think is beautiful and then it had this wonderful life and it means a lot to a lot of people.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
Running for office in our country takes a lot of money, and candidates have to go out and raise it. New York is probably the leading site for contributions for fundraising for candidates on both sides of the aisle, and it's also our economic center. And there are a lot of people here who should ask some tough questions before handing over campaign contributions to people who were really playing chicken with our whole economy.
It used to be, if you were a reporter, you wrote a story and then you moved on to the next one. We were used to people coming to the New York Times. We waited for them to turn on our website or to pick up our print paper and see what we have. We now understand that we have to make our stories available to our readers. A lot of people get their news from Facebook or Twitter and we want to make sure that they see some of our best stories there, too. We do this more aggressively now than we did before.
Love is a big thing - it's part of who you become, how you grow up. I had a wonderful husband, and I'm very lucky I have a second wonderful husband. You know, some people don't even score the first time.
Because over and over again, the times that I've done really good things is because I've had a wonderful client of some kind, and a lot of it depended on me to induce them to be creative.
I think a lot why our lives shows are good is because of the crowd, and because of the energy that they bring. Also, there was a time when a lot of the people that came to our shows were a bunch of drunk bros. At a certain point, we decided we were going to start calling them out. We also decided to become more gay-positive and feminist and all that stuff, and that we were going to be really vocal about it. After that, our crowd became a lot friendlier, and honestly a lot more fun.
The time that I took between 'Cocktail' and 'Happy Bhaag Jayegi,' a lot of people told me, 'out of sight is out of mind,' and I was like 'Okay, maybe.' And it did happen. Because I wasn't around, people just assumed I was doing other things and was not interested in films which I thought was unfair.
I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.
Two hundred years ago, we were all busy farming and we all had a role to play. The home was a unit of production. We made food and all the things we needed, we took care of our kids and were connected to purpose in our evolution. When the Industrial Revolution came along, it took away a lot of the work the men had done.
I got up and saw my face in the mirror and saw the horror. When they did the surgery on me, they took out 67 glass pieces. There were a lot of movies that I had lined up for myself during that time, and I had to let it go. I didn't want people to know because, at that time, people were not that supportive.
Our marriage, like many others, has had its ups and its downs. It took a lot of work and a whole lot of therapy to get to a place where I could forgive Anthony. It was not an easy choice in any way. But I made the decision that it was worth staying in this marriage. That was a decision I made for me, for our son and for our family.
In principle. what is done is to take the nucleus out of a cell with a very fine micro-pipette or needle and introduce it into an egg. That had been done with amphibians a long time ago, and then there was a long pause of many years before people were clever enough to make that work in the sheep.
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