A Quote by Quincy Jones
I went with Lionel Hampton for three years. Out of that came a trip to Europe.
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When do you suppose the electric guitar was invented? If you thought the 1950s, you'd be wrong. If you can muster a recollection of hearing electric guitar in Lionel Hampton's big band in the 1940s and date it to that decade, you'd still be off - by more than 30 years.
I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!
South Hampton is the A group; East Hampton is the B group; Bridge Hampton both A and B groups; and Sag Harbor, Water Mill, Amagansett and Sagaponak the Fun Group.
I've done the Kennedy Center many times. I've sang for Marian Anderson. I've sang for Marion Williams. I've sang for Lionel Hampton.
I came into the 'Comedy Bang! Bang!' TV show with a level of confidence that I don't think I would've had if I hadn't been doing the podcast for three years already. I certainly had to figure out in those three years the sense of humor I wanted to do and the way to talk to celebrities without being incredibly intimidated by them.
South Hampton is Jacket-With-No-Socks, East Hampton is Socks-With-No-Jacket, Bridge Hampton is Jacket-and-Socks and Sag Harbor, along with the Fun Group, is No-Jacket-and-No-Socks.
NFL Europe helped me quite a bit. It was a situation where I came out of college and spent the first few months of my career over in Europe.
Now if you ask me about coming from Europe, I would suggest to any young player interested in the NBA to not spend two or three years in Europe searching for money. Just give it a shot. You can always go back.
In Europe and Britain they seem to be much more accepting and embracing of older bands, whereas in America if you've been out for three years, you're old, and I think that attitude stinks.
I remember when I was - I must've been 17 or 18 years old - I remember 'The Empire Strikes Back' had a big cliffhanger ending, and it was, like, three years before the next one came out.
I don't think we really planned it ahead of time but rather oozed out of our pores. All three of the demonstrative themes of Corrosion of Conformity are on there. The Hardcore/Punk from the 80's, the late 80's/early 90's mathy metal and finally the more Pepper, swampy/doomy stuff. We love all three so that's what came out on the album and I think it came out magically.
When I was 15 years old, my sister and I went on a trip to Europe. We went on scholarship because my mother didn't have the money to pay the full fare for the two of us, which ran into the thousands of dollars.
Everybody who know Rick Ross know that, for one, I love creating music, and one of the biggest impacts we have on the game was the fact that when we came into the game, artists was waiting two to three years to put out albums. I was one of the few that put out an album every year along with two or three mixtapes.
Steve Jobs came back to Apple in 1997 - the iPod came out 4 years later. 3 years after that is the first time his market cap grew. It took 7 years.
I was seven years old when 'Creepshow' came out, and I'm guessing I was around 10 when I saw it for the first time on VHS. The opening theme reminds me that there are five stories to be told, all so different, and the process of telling a scary story is a dark, glorious trip.
My social life goes in bursts, where I get like, "Oh, I gotta get out and do something, man, I gotta do something." And I'll plan a trip and go on a motorcycle trip down the Baja Peninsula for 900 miles and I'll hang out with my friends for like a month, and then they'll never see me for two months or three months or whatever, and I won't answer any calls.
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