A Quote by Rajesh Khattar

A lot of nepotism that exists, actually, exists outside this industry because in this industry, behind the camera a director's son becomes a director and a producer's son becomes a producer and that is still understandable that they are carrying their legacy but for actors, it is very very different.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
Nepotism can be one of the factors that affected the industry in the past, but today, what matters is good content, talented artists and good sound. That's what every music label, director or producer is looking for.
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
I went off and did 'Space,' which turned out very well, and when the series was picked up, my options were to stay with 'Space' as a producer/director or go to 'The X-Files' as a producer/director.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I realized the exciting place was behind the camera with the producer, director and so on.
A disk unbeknownst to the director can go to the producer in another city or in another office and that producer can edit behind the director's back much easier than in the old days. Since these dailies are now put on videotape, more kinds of people have access to dailies.
A doctor's son can become a doctor, and no one screams nepotism. I don't understand why, in this industry, people keep saying 'Nepotism, nepotism.'
I think you have to have different tools for each job - you know producer is very different from a director and very different from an actor.
Actors can become very involved in a role, but for a director or producer, that's your life for many years.
The best deal about being a producer is that unlike a director who has to go on the sets even if he doesn't get along with the actor, the producer has the liberty to remain behind the scenes.
Earlier in my career, I needed to be the writer, casting director, set designer, leading man, and producer. I've been eliminating a lot of those jobs. I'm an executive producer right now. I still get to pick the best screenplays.
I think people really don't understand what a producer does versus what a director does. I mean, the producer is often the person that is on the movie the longest - it's their material that they are then bringing the director onto to bring it to the screen. Are we overlooked? Absolutely.
I just think there are a lot of celebrities who don't feel that they have a voice. A lot of actors come from a place of fear, and that's just a general statement about actors. You're terrified the casting director won't like you, you're terrified the producer won't like you, you're terrified the director won't like you, and on and on.
Being a popular director or actor's son can be frightening in this industry. What if you are not able to make it?
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