A Quote by Rajkummar Rao

I think every character is important in every film - be it small, primary, or lead - because they are adding something to the story, taking it forward. — © Rajkummar Rao
I think every character is important in every film - be it small, primary, or lead - because they are adding something to the story, taking it forward.
Every part of it is important; the film comes alive when you edit it, the film comes alive when you write it, the film comes alive when you act it, and the same with the directing. They're all the most important part at the time and that's why I enjoy doing it, because you're creating a story and every part is a very integral part of it.
Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.
I want to bring something different to every film. I get a bit tired of actors who kind of are the same character in every film that they do.
Because in both TV and film every story under the sun is being told, and so music shouldn't be restricted to have to follow, like, the John Williams template or something. I love John Williams, but that sound doesn't suit every story.
I love Meghna Gulzar's film making and her style of story telling. In her films, every character, small or big, is beautifully etched.
I always try to better myself with every movie I make. I don't take anything sitting back and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film and I think I am growing with each movie. And I think it's important because you need to strive to better yourself.
Visually, I want to try everything. But I believe that every shot of my films really expresses what I think about the story and the character. The most important thing is the story, not the images.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
Not every character that you play is going to be somebody that you like or love, but every character that you play has a story that is worth telling. If you're not the person to tell it, that's one thing. But if you don't want to tell it because you are afraid of the unpopularity of the character, I view that as a missed opportunity.
It will be important because every country is looking forward to getting more girls to play the sport. And if you have another World Cup of, say, Under-19 or Under-21, it gives an opportunity for young girls to compete at that level because there's something to look forward to.
In every character I play, I try to imbibe something. Every film is a learning process for me.
Every film's different; every story is so different. But I think I've always been attracted to try to take something minimal and to maximize it cinematically. To find out if I can I really go all the way with one idea.
I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?
Whenever I read a script or sign a film, I don't see whether he is a bad guy or a good guy. I see how much the character is contributing to the story? How much is the importance of the character in taking the story forward? And what new I would be able to learn and what new I would be able to try in that?
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
I got into film in an odd way - when I was 17 years old I participated in a Swedish film as an actor. I think every person at that age should get a role in a film, because during that time you want acceptance, and when you have a role in a film you become an important person. I think about that now, and that was my fantastic starting point.
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