A Quote by Rakim
My approach to writing rhymes went hand in hand with the music. I'd try to make different rhythms with my rhymes on the track by tripping up patterns, using multi-syllable words, different syncopations. I'd try to be like a different instrument.
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I used to print out lyrics from Nas songs and write my own lyrics in the same syllable count but with different words and different rhymes.
The basic rhymes in English are masculine, which is to say that the last syllable of the line is stressed: 'lane' rhymes with 'pain,' but it also rhymes with 'urbane' since the last syllable of 'urbane' is stressed. 'Lane' does not rhyme with 'methane.'
The basic rhymes in English are masculine, which is to say that the last syllable of the line is stressed: "lane" rhymes with "pain", but it also rhymes with "urbane" since the last syllable of "urbane" is stressed. "Lane" does not rhyme with "methane".
I would describe my style for those who haven't listened to my music as definitely..up-tempo.
I try to have something nice, something people could dance to. It's kind of hard though to describe my sound in one record because I think when I approach music I try to do something different every day. Do a different vibe.
I liked Big L's wordplay with the multi-syllable rhymes he hit so clean.
I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.
Identity is made up of lots of different things now. Different colors and patterns stand out at different times. Different instruments in the symphony of being are more distinct than others at different times.
Our communication space is very fragmented today. We have a million different tools for different things with lots of different kinds of overlaps. The most natural way to try and solve that problem is to take all those different tools and try to make them smaller and fit into a single package and maybe integrate them across the boundaries.
I wanted to try a different way of making music. That's what made me try different things with my voice.
Political correctness - the rigging of politics using different rules for different groups, and buttressed by the media - ensures that Democrats always have the upper hand.
However, I'm older, wiser, more mature, and can deliver the rhymes in a different way. Because I guess I have a more holistic viewpoint and approach.
I started writing rhymes first and then put it to the music. I figured out I could lock it to the beat better if I heard the music first. I like to get a lot of tracks, put the track up and let the music talk to me about what it's about.
I do like to try and see myself in football players. Everybody is different and express themselves in different ways. There are different kinds of talents of course and there are many who I would never have had the talent that they have when I was a player. But I still had that determination to be successful and try my best.
Generally a good parameter for me is to try something I haven't done before either in the writing or recording process, to break old patterns and habits. Even if I eventually return to something similar, I'll have gotten there from a different starting point and engaged in a different process.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
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