A Quote by Ralph Stanley
I like for it to be mountain music or old-time country music or traditional bluegrass. Either one will fit me. It's traditional, basically.
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I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.
Everybody knows in the business how I feel about country music. I'm an old traditionalist. Then they just call me an old man and stuck in my old ways, but with all the fans I've got out there, I can't be all that wrong. I do love traditional country music. I love the good stuff.
It was around that time, early 60s. There were like three kindred spirits in New Jersey. I had two friends who played folk music, old-time music and bluegrass and we started a little band called the Garret Mountain Boys.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
I love traditional country music, and I feel like there's a need for it and a want for it. But I enjoy everybody in country music.
Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.
There are so many wonderful, wonderful musicians in the world, I cannot possibly make a distinction between the fact that they might play classical music, or bluegrass, or Irish traditional, or Indian music.
I've never really been a traditional country kind of guy. I wanted my music to sound more like the end of the '90s and to have the kind of great music, pop or whatever, that radio will embrace.
Apart from Scottish traditional music, I wasn't really influenced by any kind of music. I just basically followed my own instincts.
When Merle and I started out we called our music 'traditional plus,' meaning the traditional music of the Appalachian region plus whatever other styles we were in the mood to play.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
I think every once in a while country has lost its way, but found its way back. It's always going to drift away from the traditional side, but then find a way to return. There's room for all kinds of influences be it pop, blues, gospel or whatever. But I will always say that I think we need more traditional country music coming down the pike.
People always say, 'There are plenty of black country artists out there! There is Charley Pride! Darius Rucker!' That's all they can name. They don't understand what we go through, and a lot of people who are fans of traditional country music, as they call it, look at us and aren't going to say, 'Y'all like country music.'
First, it doesn't surprise me that traditional music has experienced a kind of exhaustion in the 20th century - not forgetting that many musicians started to look outside the traditional structures of tonality.
With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.
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