A Quote by Ralph Steadman
At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky.
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For me a true landscape is not just a representation of a desert or a forest. It shows an inner state of mind, literally inner landscapes, and it is the human soul that is visible through the landscapes presented in my films.
Franz Kline, who became known for his black and white paintings, did a whole series of gorgeous landscapes and wonderful portraits that may still hang in Greenwich Village.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
I grew up in the Southwest Bronx. Father an accountant, mother a schoolteacher. Brother was six years older, which explains why I gobbled crystal meth at 12, smoked hashish at 13, and was shooting smack at 17, which explains how I got Hepatitis C, which was the basis of my first book, which was a humor book about dying.
The only thing that was sharper and that scarred more was the selfish actions of those you loved when they made it crystal clear that they cared more for themselves than they did for you. Especially when it was someone you trusted to always put you first.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
What I love about 'Breaking Bad' is the reflection of many people's - it's more real in terms of people have faults, people have character traits that they don't like about themselves. It resembles more of what the human journey really is and it's less fantastic and hero-driven than other characters and shows that we watch.
Talking about one's feelings defeats the purpose of having those feelings. Once you try to put the human experience into words, it becomes little more than a spectator sport. Everything must have a cause, and a name. Every random thought must have a root in something else.
Hope is the crystal meth of emotions. It hooks you fast and kills you hard.
Death is an unsurpassable limit of human existence... We discover the relationship which is the basis for all feelings of reverence, fear, awe, wonder, sorrow, and deference in the face of something greater and more powerful... Only such a being-unto-death can guarantee the precondition that the Da-sein be able to free itself from its absorption in, its submission and surrender of itself to the things and relationships of everyday living and to return to itself.
As soon as you put something to bed like the 'Women' book, you're never finished. There were portraits of people that I wanted to photograph - it's an endless subject.
Hope, to me, is wishing for something good to be true. I believe it is inherent in all of mankind to hope, not because we need to escape where we are, but because we have souls - and those souls were made for something greater than this world. I write about it so often because I think it compels us all. I want to make songs that people at any intellectual level can feel stirred by. Hope is the basest of human feelings to me, the feeling that all emotion springs from.
Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.
Set in the remote and harsh high desert landscape of Idaho, Outpost is an artist live/work studio and sculpture garden for making and displaying art. An important aspect of the complex is the protected paradise garden, which is separated from the wild landscape by thick masonry walls. The materials used in the structure, including concrete block, car-decking, and plywood, require little to no maintenance, and are capable of withstanding the extreme weather that characterize the desert’s four seasons.
When a figure painter executes a landscape he treats it as if it were a face; Degas' landscapes are unparalleled because they are visionary landscapes.
I used to get so many letters from students about the ending of 'Pro Femina.' So I had a stamp made that said 'irony, irony, irony' to put on a postcard and mail it back.
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