A Quote by Ralph Waldo Emerson
In a cabinet of natural history, we become sensible of a certain occult recognition and sympathy in regard to the most unwieldy and eccentric forms of beast, fish, and insect.
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The commonest forms of amateur natural history in the United States are probably gardening, bird watching, the maintenance of aquarium fish, and nature photography.
Siddha powers are a type of occult power, but occult powers come in many shapes and forms. The Siddha powers that you most commonly hear about are things like levitation, telepathy, and astral projection.
What initially attracted me to The Seventh Seal was that it had values and characteristics which I was familiar with in other art forms, most notably, the European novel and certain forms on English drama, and indeed, in relation to my rather academic interest in history -- not "history" in the normal sense, but history as a form of entertainment . It might be a very unfashionable view but I believe that history is an amazing bank or reserve area of plots, characterisations, extraordinary events, etc.
Vast chain of being! which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect, what no eye can see, No glass can reach, from infinite to Thee, From Thee to nothing.
You shall find books and sermons everywhere, in the land and in the sea, in the earth and in the skies, and you shall learn from every living beast, and bird, and fish, and insect, and from every useful or useless plant that springs from the ground.
What law, what reason can deny that gift so sweet, so natural that God has given a stream, a fish, a beast, a bird?
in certain crises direct expression of sympathy is the least possible to those who most feel sympathy.
The occult sciences were simply ancient technologies for making the occult or unseen manifest in the world - whether that was the influence of the stars and planets, the mysterious meanings of lines inscribed in your palm, or forms of action at a distance like magic and spells.
The natural creativity of the staff morphed 'The Daily Beast' very fast into what has become a newsroom. Aggregation lives on the Cheat Sheet, the video player, and in the breaking news slot in the first big box. The rest is all original, generated by Beast writers and editors.
Women are about the best lovers of nature, after all; at least of nature in her milder and more familiar forms. The feminine character, the feminine perceptions, intuitions, delicacy, sympathy, quickness, are more responsive to natural forms and influences than is the masculine mind.
She looks like a fairy tale, but yet feels so natural (natural, natural, natural)
This one's a beast, but way to wonderful to be compared to an animal
It is out of fashion in these days to look backward rather than forward. About the only American given to it is some unreconstructed Southerner, who persists in his regard for a certain terrain, a certain history, and a certain inherited way of living.
I'm obsessed with insects, particularly insect flight. I think the evolution of insect flight is perhaps one of the most important events in the history of life. Without insects, there'd be no flowering plants. Without flowering plants, there would be no clever, fruit-eating primates giving TED Talks.
If it takes a million years for a fish to become a reptile, has Man, in our few hundred, altered out of recognition?
The transformation scene, where man is becoming insect and insect has become at least man and beyond that - a flying, godlike, shimmering, diaphanous, beautiful creature.
I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?
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