A Quote by Ralph Waldo Emerson
Science is nothing but the finding of analogy, identity, in the most remote parts.
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...neither is it possible to discover the more remote and deeper parts of any science, if you stand but upon the level of the same science, and ascend not to a higher science.
In the past, I've visited remote places - North Korea, Ethiopia, Easter Island - partly as a way to visit remote states of mind: remote parts of myself that I wouldn't ordinarily explore.
In the past, Ive visited remote places - North Korea, Ethiopia, Easter Island - partly as a way to visit remote states of mind: remote parts of myself that I wouldnt ordinarily explore.
Identity has several parts, and the self needs to expand. Black youth should be encouraged to have as many parts or as rich an identity as possible. It's a form of allowing them to be curious about the world.
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.
Being Nigerian is a strong part of my identity. Being American is a strong part of my identity. And there are important parts of who I am that really have nothing to do with my national connection.
Natural science is founded on minute critical views of the general order of events taking place upon our globe, corrected, enlarged, or exalted by experiments, in which the agents concerned are placed under new circumstances, and their diversified properties separately examined. The body of natural science, then, consists of facts; is analogy,-the relation of resemblance of facts by which its different parts are connected, arranged, and employed, either for popular use, or for new speculative improvements.
Like most writers, I read constantly. I used to hide in remote parts of the yard and house so I could read in peace.
I think it's important to reason from first principles rather than by analogy. The normal way we conduct our lives is we reason by analogy. [With analogy] we are doing this because it's like something else that was done, or it is like what other people are doing. [With first principles] you boil things down to the most fundamental truths…and then reason up from there.
The thing I loved, particularly, was the mystery of science and the idea that science doesn't know all the answers, but it is a process of finding out. It's not like science will give you the right answer and science knows everything. I love the mysteries of it.
In this modern world of ours many people seem to think that science has somehow made such religious ideas as immortality untimely or old fashioned. I think science has a real surprise for the skeptics. Science, for instance, tells us that nothing in nature, not even the tiniest particle, can disappear without a trace. Nature does not know extinction. All it knows is transformation. If God applies this fundamental principle to the most minute and insignificant parts of His universe, doesn't it make sense to assume that He applies it to the masterpiece of His creation, the human soul?
The whole of natural theologyresolves itself into one simple, though somewhat ambiguous proposition, That the cause or causesof order in the universe probably bear some remote analogy to human intelligence.
... one of the main functions of an analogy or model is to suggest extensions of the theory by considering extensions of the analogy, since more is known about the analogy than is known about the subject matter of the theory itself ... A collection of observable concepts in a purely formal hypothesis suggesting no analogy with anything would consequently not suggest either any directions for its own development.
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
For as old age is that period of life most remote from infancy, who does not see that old age in this universal man ought not to be sought in the times nearest his birth, but in those most
remote from it?
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