A Quote by Rande Gerber

My mind starts to work creatively past 10 P.M. or 11 P.M. - all of a sudden there's silence and my head starts going. — © Rande Gerber
My mind starts to work creatively past 10 P.M. or 11 P.M. - all of a sudden there's silence and my head starts going.
When Donald Trump is in trouble, he starts yelling, he starts screaming. He starts insulting. He starts cursing.
I always try to evolve my sound - innovate, improve, be different but still Martin Garrix. It all starts with an idea in my head, which I work on until it starts to shape itself into a track.
In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.
Yeah, we definitely have screenings; we just don't have screenings out on the street. We bring in - it starts internally, so its people who work at Bad Robot, then it starts going to our friends outside of Bad Robot, and then it starts going to friends of friends outside so we get really fresh people who don't have to pretend to like us.
When you are in a room and your job is to write jokes 10 hours a day, your mind starts going to strange places.
I work in between the cracks, where the voice starts dancing, where the body starts singing, where theater becomes cinema.
In India, I personally believe yes, there is a clear fear of unknown; there's a lot of risk aversions in science and technology. They want predictability in everything they do, and it starts from people. It starts from investors. It starts from the regulators. You see that mindset across the society.
Some days I'll have good starts, and some days I'll have bad starts. I'm really focusing on having more good starts than bad starts, and I traditionally do. But I would hate to make it all the way to the Olympics and have a bad starting day.
As a producer, it starts when I talk about privacy and silence. It starts before anybody believes in it. And I think that's, you have to have a real sense of self, and in order to push things through. And so often, what's interesting, is how many people dismiss an idea that eventually everybody [gloms] onto. So to me it's, that's what I mean by hard.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
'Silence Kid' starts with a broken classic-rock intro. It's funny to hear us do that. Obviously, we weren't skillful rock stars. Then it's spinning through a lot of hooks really fast, and all of a sudden, it's over.
You change the mind and world of one individual and that's huge, man. You reach one person and that starts a spiral effect and starts to snowball. I think that's the one thing as an athlete we should all focus on doing and that's striving to give back in a positive manner.
I create my own schedule, so you start out each day and you say, "Okay, from 10 to 11 I'm going to write," and on the dot at 10, I went downstairs, got dressed like I was going to work, and at 11 I stopped. I don't know why, what kind of wizardry about that worked, but having the structure for a month, I was dishing out songs.
Attachment is the root cause of all misery - and our mind is such that it starts clinging to each and everything. It starts becoming identified, attached, it does not know how to keep a distance; hence the misery.
With two thousand years of Christianity behind him... a man can't see a regiment of soldiers march past without going off the deep end. It starts off far too many ideas in his head.
Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.
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