A Quote by Randy Orton

I'd RKO my own grandmother if it meant keeping this title. Then I'd RKO your grandmother just to see the look on her face. — © Randy Orton
I'd RKO my own grandmother if it meant keeping this title. Then I'd RKO your grandmother just to see the look on her face.
I enjoyed working at RKO more than at MGM. At RKO the parts were better!
My grandmother was a typical farm-family mother. She would regularly prepare dinner for thirty people, and that meant something was always cooking in the kitchen. All of my grandmother's recipes went back to her grandmother.
My grandmother's house - she ran it just like her grandmother and her great-grandmother. They didn't have electricity. They had wood stoves that never got cold.
You need to understand this. We did not think we owned the land. The land was part of us. We didn't even know about owning the land. It is like talking about owning your grandmother - you can't own your grandmother. She just is your grandmother. Why would you talk about owning her?
What kind of grandmother am I? I'm a 'three-dessert' grandmother. I'm a 'let's just skip the bath tonight, honey, watch another video' grandmother.
Once, when I was 5 years old, a little girl who lived next door to my grandmother dared me to put on a muumuu and run across a nearby parking lot. So I did. I threw it on, hiked it up in one hand, and ran like hell. It felt amazing to be in a dress. But suddenly my grandmother appeared, a look of horror on her face.
I heard a story about a woman who grew up in Texas. When she was having trouble in her life, she would visit her grandmother, who lived nearby and always had a kind word and some wisdom to pass on. One day she was complaining to her grandmother about some situation and her grandmother just turned to her, smiled sadly, and said, "Sometimes, darlin', you've just got to rise above yourself in this life." I've remembered that wise advice many times as I've faced trouble in my life.
I asked my grandmother how a Hungarian Jewish person can experience being Jewish. My grandmother answered was the only choice was to "keep quiet." I can understand her because she was a Holocaust survivor, and for her survival, she had to keep quiet. But I didn't obey my grandmother when I was a child, and in this case, I don't obey her either.
Her grandmother used to tell her that a pink sky meant someone in the distance had just fallen in love . . . .
My grandmother raised me when I was little. I was born here, and my parents are immigrants; they needed someone to help take care of me because they were working a lot, so my grandmother came from Korea. So I'm very close with my grandmother, and I keep in touch with her a lot.
I was very much raised by my grandmother, who actually was Bette Davis - looked like her, acted like her, talked like her. Probably, it was just out of my love and affection for my grandmother that I was interested in Bette.
Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."
Growing up, I thought my grandfather was dead. Later, I learned he was alive, but my family pretended he didn't exist because of the terrible way he'd abused my grandmother and my mother. He did things like shave my grandmother's head and lock her in a closet. With my mother's help, my grandmother finally left him.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
My grandmother is still a woman who worries about what she looks like when she goes outside. She's from that era, and I can remember saying to her, 'Grandmother, we're just going to the grocery store.' And she'd be like, 'I've got to fix my face!' You were very aware of how you were presenting yourself to society in 1960s Las Vegas.
My great grandfather used to say to his wife, my great-grandmother, who in turn told her daughter, my grandmother, who repeated it to her daughter, my mother, who used to remind her daughter, my own sister, that to talk well and eloquently was a very great art, but that an equally great one was to know the right moment to stop.
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