A Quote by Rashid Johnson
For me, all the materials and objects I employ come from a specific space that's very personal.
Related Quotes
The chemists work with inaccurate and poor measuring services, but they employ very good materials. The physicists, on the other hand, use excellent methods and accurate instruments, but they apply these to very inferior materials. The physical chemists combine both these characteristics in that they apply imprecise methods to impure materials.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
Recycling is more expensive for communities than it needs to be, partly because traditional recycling tries to force materials into more lifetimes than they are designed for - a complicated and messy conversion, and one that itself expends energy and resources. Very few objects of modern consumption were designed with recycling in mind. If the process is truly to save money and materials, products must be designed from the very beginning to be recycled or even "upcycled" - a term we use to describe the return to industrial systems of materials with improved, rather than degraded, quality.
People are using GPS systems to find millions of little hidden objects throughout the world - often as simple as a piece of Tupperware hidden in the woods. You go to a website, you get the latitude and longitude to get the specific location of a certain specific hiding space, and then you go there and see if you can find it.
My desire is to bring astronomical events and objects down into your personal, lived-in space.
The identifying personal association with objects, which are not personal, is an important modern experience - our real association, the strands of our feelings about the objects that surround us. It's also because they are so familiar, we don't think of them as important in the world, but actually they are the world. We are living in a very material world.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
When objects shattered into fragments appeared in my painting about 1909, this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.
The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space.
The memoir was a very personal book. I wrote it as a personal journey and search about who my father was and how my family had come together and come apart - sorting all that out, you know, issues of personal identity.
My family and I would never receive royalties on the revenue that my materials brought into the church; materials that were created on our own personal time.
There's a real hunger to understand where objects come from, how artists show their understanding of materials. And there's something fascinating about watching people work, whether it's someone engraving a gun or sewing beautiful clothes together. I know that myself; I'll make a piece of furniture and feel the wood's grain talking to me.
It's very precious to me and really important I have that space that's personal and just to me.
When you write a song, it may come from a personal space, but it very seldom actually represents you. It comes out of a sort of mood of melancholy, somehow. It's almost theatrical.
You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work.
But suddenly you touch my heart, you do me good, I am happy and I say: This is beautiful. That is Architecture. Art enters in.
The thing about 'Gilmore Girls' is that it's such a specific voice, and I lived with it for so long before it got on the air It's a very specific rhythm and a very specific banter.
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