A Quote by Rashid Johnson
My mother introduced me to more academic-minded writers, Cornel West and Skip Gates. In her library, I came across, when I was very young, Harold Cruse's 'The Crisis of the Negro Intellectual,' which is like a bible of Negro intellectuals from Frederick Douglass to Amiri Baraka.
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I maintain that I have been a Negro three times--a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!
Mark Twain married the daughter of one of New York State's leading Abolitionists, Jervis Langdon, who helped Frederick Douglass who became the great Negro leader to escape from slavery.
Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.
There is great fear expressed on all sides lest this war shall be made a war for the negro. I am willing that it shall be. It is awar to found an empire on the negro in slavery, and shame on us if we do not make it a war to establish the negro in freedom--against whom the whole nation, North and South, East and West, in one mighty conspiracy, has combined from the beginning.
Ralph Bunche, who is an internationally recognized and respected diplomat, can't stay in a hotel in Georgia, which means that no matter what the accomplishment, the intellectual, the academic, or professional level of a negro is, collectively he stands condemned.
There is a magnificent new militancy within the Negro community all across this nation. And I welcome this as a marvelous development. The Negro of America is saying he's determined to be free and he is militant enough to stand up.
We should emphasize not Negro History, but the Negro in history. What we need is not a history of selected races or nations, but the history of the world, void of national bias, race, hate, and religious prejudice. There should be no indulgence in undue eulogy of the Negro. The case of the Negro is well taken care of when it is shown how he has far influenced the development of civilization.
Alpha Phi Alpha, the oldest of Negro Fraternities, with all of its members presumably far above the average American and having a good practical understanding of the salient factors involved in the Negro's problem, and which a membership upwards of eight thousand men, should be able to take into their hands the leadership in the Negro's struggle for status.
In slave times the Negro was kept subservient and submissive by the frequency and severity of the scourging, but, with freedom, a new system of intimidation came into vogue; the Negro was not only whipped and scourged; he was killed.
As for [Amiri] Baraka, he and I have disagreements. I mean, he becomes a demagogue when there's an audience. He's a nice guy in private. I mean I like the guy; he's a terrific writer. I've published two of his books. Baraka is one of these fundamentalists who is prone to idol worship.
The negro king desired to be portrayed as white. But do not laugh at the poor African; for every man is but another negro king, and would like to appear in a color different from that with which Fate has bedaubed him.
Unfortunately there was one thing that the white South feared more than Negro dishonesty, ignorance, and incompetency, and that was Negro honesty, knowledge, and efficiency.
When a black Jacksonian looks about his home community, he sees a city of over 150,000, of which 40% is Negro, in which there is not a single Negro policeman or policewoman, school crossing guard, or fireman.
Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.
How ironic that the Negro, who more than any other people can claim America's culture as his own, is being persecuted and repressed; that the Negro, who has exemplified the humanities in his very existence, is being rewarded with inhumanity.
The longer I live and the more I study the question, the more I am convinced that it is not so much the problem of what you will do with Negro, as what the Negro will do with you and your 'civilization'.
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