A Quote by Ray Allen

Sometimes, the best shots you can put up are the ones when you don't shoot the ball - you gotta give your legs a rest sometimes. — © Ray Allen
Sometimes, the best shots you can put up are the ones when you don't shoot the ball - you gotta give your legs a rest sometimes.
I've always been able to shoot the ball, so it's just about continuing to work on your shot and shoot the ball. That's the main thing. Got to get those shots up.
You've gotta play a head game; especially blocking shots, you've gotta make it hard. You're playing against the best of the best: they're not gonna go straight to the basket, do a layup. You've gotta lure them into some shots.
I shoot in black and white, sometimes color, sometimes if it looks good I shoot out the window of the airplanes or whatever, anything that - sometimes I secretly take secret photos, shoot video of people on the plane if it's not too crowded. I don't know, whatever comes up.
You gotta pick yourself up. Sometimes you just gotta do it over and over, but you gotta do it. You can't give up. I wouldn't give up. I didn't give up - or doubt myself - in becoming a successful musician with a successful band.
If I see someone I think is in a better position than me, it is better for me to give the ball. Now I shoot more at goal. When I was young, they sometimes said to me, 'You need to shoot more. You try to give it too much.' It is something that I learned. To try to take the best option.
Sometimes you want to skate along or just get by or fly under the radar, but sometimes you have to stand up and let your voice be heard and give it your best and give it your all. As a mother of young children, that's something I've tried to emphasize and highlight for them.
Sometimes it helps to take a couple days off, as weird as that sounds. Every once in a while, I could just shoot so many shots. You can get so, like, intense with it all. It's like in life, right? We're all created for a sabbath day or for a day of rest. You sometimes need that in shooting, too.
All I can do is do my best work, try to create the best kind of moment to moment reality that I can do. That's what I do. I'm an actor. And all the rest of it is like baseball. You hit the ball. Sometimes it goes in the hole. Sometimes it goes to the player.
Life is a weird thing because it puts roadblocks in front of you, sometimes you gotta go through it, sometimes you gotta go around it, sometimes you gotta take a pause and look back at what you're gonna do, have a plan.
In college, the line is so close that you can kind of half-heartedly shoot the ball off-balance and fading away. To shoot an NBA three, because the arc of your shot has to be a little higher, you have to be squared up and get your legs into it more, which can be tough in the fourth quarter.
I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.
I'm not a guy that's going to shoot 10 3s a game - I like to get to the basket. But some of those shots I do gotta take. Some of those shots I gotta let fly.
Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice. And sometimes an active policy is best advanced by doing nothing until the right timeor never.
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
Songs are puzzles - you get an intro, or maybe an end, but you gotta fill in the rest. Sometimes they come easy and sometimes they're a pain in the ass.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
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