A Quote by Ray Bradbury

Hollywood was a good influence because I was madly in love with films, and the films had a direct influence on me. — © Ray Bradbury
Hollywood was a good influence because I was madly in love with films, and the films had a direct influence on me.
Being part of 'Natural Nylon' is a great way to have an influence on the films that get out there. I love films and it gives me an input.
I don't care about Hollywood films. I'm not against Hollywood films, you know? Hollywood films were very good before, in the 1950s.
If you look at the most meaningful science fiction, it didn't come from watching other films. We seem to be in a place now where filmmakers make films based on other films because that's where the stimuli and influence comes from.
'Out of Sight' is one of my favorite films ever. Love Steven Soderbergh. 'Goodfellas' was a huge influence on me in terms of the use of camera. 'Black Orpheus,' a beautiful love story that very few people actually have seen, and that was an influence on 'Beyond the Lights,' too, in terms of the look of the film.
When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.
I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.
"There is no such thing as a good influence, Mr. Gray. All influence is immoral — immoral from the scientific point of view." "Why?" "Because to influence a person is to give him one's own soul."
I was a good student. For a while, my parents did make me cope with school and films simultaneously. But after a point, this wasn't practical. I had to choose between studies and films. I chose films.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
Whitman had a profound influence on me. That was during my sophomore year when I came down with a bad attack of Whitmanitis. But he did me a lot of good, and I think the influence is discoverable.
The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence.
I drew influence from Mike Leigh, Ruben Ostlund, a lot of Scandinavian filmmakers, Lukas Moodysson. I also drew influence from horror films and thrillers, which is something I would never think to do earlier in my career.
I sometimes hear people say women don't want to direct studio films, but I do. I want to direct big films, little films, TV. I want to do it all.
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