A Quote by Reba McEntire
I have talked to Debbie Hammond quite a bit, Jim Hammond's wife, his widow. I've seen their kids. And last time we played Dallas, a lot of them came over. It's hard for them to come see the show. It's still hard.
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Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
I've talked a lot with Greg Raymer and Joe Hachem. Being on Team PokerStars with them has helped me out quite a bit. I've traveled around Europe playing with them. I've also talked with Robert Williamson here and there and Jim Worth. So I've had some good people to talk to and bounce ideas off of.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
And my wife is - you know my wife, Hanna Rosin - it's hard, there's no doubt. We have three kids, and it's a pain. I'm away a lot and it's hard on her, but she's been very generous about it and my kids have been very good about it, too. It also allows me when I'm Washington to be more intent with them.
Whenever we can, we try to talk to students. If I can, I'll invite kids from a school to a sound check and take questions from them. I want to show them it's cool to play the trombone. Kids are influenced by what's accessible to them. It's hard for kids to be introduced to music other than what they see on TV and video.
As you show these principles over and over , it becomes engrained into how we think. And, when your kids see that, they begin doing it to their siblings. And so we've seen that as well. Many of these aspects I already knew as a parent but, as I study them more, there are more avenues that I can apply in my own parenting and I'm seeing how my kids are watching how I (interact) with my wife and (with) each of them and I watch how they (interact) with each other.
I have never stormed off over money or contracts. I am paid quite well by 'Top Gear.' I am pretty happy, and I have never seen Richard Hammond storm off, either.
Raising kids these days is hard. I'm the second to last child in my family. I think it's tough; I have two kids, I see them and I feel like I see things in them; they awaken the inner child in you.
The first time we put Debbie Downer on the show, I had a giggle fit that I couldn't control, and the whole cast ended up breaking so hard we could never quite recover.
I don't have kids, but I know that you want them to follow their dreams, while at the same time, you don't want them to be sitting around, hoping that dream is just going to come. I'm sure that's hard to tell your kids.
It's hard to say exactly when it all started or what show it was, but I started touring when I was 11. I played all over Dallas and Fort Worth, and eventually I was touring the whole state.
Children are game for anything. I throw them hard words, and they backhand them over the net. They love words that give them a hard time, provided they are in a context that absorbs their attention.
We've always liked the word 'chump', and it's quite nearly our initials - Clarkson, Hammond, and May Productions.
I played for my first church service when I was nine years old. I was sufficiently tall to be able to reach the pedals. The first hymn I played was Bringing in the Sheaves, and to this day I can play it in any key. I graduated to a Hammond organ a few years later when we went to another church, and then in high school came one of the loves of my life, the pipe organ. The sound of the pipe organ still gives me a thrill, whether soft strings or drowning out the orchestra as in Strauss' Also Sprach Zarathustra.
You have to build a lot of bridges to the new coaches, show them how hard you work. It's one thing for them to hear about you, but it doesn't matter until they see you.
I think right now, you've seen these artists pop up over the last decade who've flirted with branching together a lot of different kinds of music. Some of them have been huge, and sold millions of records. And I think over time it's become a little bit of what the industry can be.
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