A Quote by Rebecca Hall
Feminism is something I think about more when I watch the film, Christine, rather than when I was actually doing it, to be honest with you. But I do think it functions as a sort of interesting feministic critique, because you are seeing a woman who's resolutely incapable of behaving like the kind of woman that's acceptable at the time. She doesn't know how to play the game by everyone else's rules, and it makes you realize that actually there were rules that were functioning for a woman to be a careerist.
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An improv team would have eight guys and one woman; that was still pretty standard. If you were a woman improviser, it was actually kind of an advantage because, if you were halfway decent, you'd get a lot more stage time.
Let me tell you what I think of bicycling. I think it has done more to emancipate women than anything else in the world. I stand and rejoice every time I see a woman ride by on a wheel. It gives a woman a feeling of freedom and self-reliance. It makes her feel as if she were independent... the picture of free, untrammeled womanhood.
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
I actually feel more of a woman because I feel like I'm being smart about my choices, and I'm putting my family first, and I'm in charge of my life and my health. I think that's what makes a woman complete.
I do think that she [Hillary Clinton] will prove that she's the best, whether she's in the White House or somewhere else. I think it will very much be a historic moment, when we are able to say that we actually have done something like put a woman in the White House. Its very interesting to think about considering its taken us long as it has.
The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
There are so many rules about how you make a film and so many conventions that you can and can't do. I think people have forgotten that they are just rules that were invented for convenience - sometimes it is more convenient not to obey the rules.
Whenever a woman wields a gun in a film, it ends up looking like they're trying to be sexy rather than they actually know what they're doing.
I'll say something else about Christine O'Donnell. You ready? I'd rather look at her than Mike Castle. I think she's kind of cute. I think she's kind of refreshing. She's a conservative. What's the problem?
There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.
But think about how evil that is for one man to think that he's actually more valuable than a woman, because as a human being your worth is immeasurable.
I think you learn more about Donald Trump when you learn more about his wife Melania. She can say things, but it's more how much did you get to know her and believe the kind of person she is, that could be married successfully to him. So once you realize that there's something there, that there's substance and that she's got talents and abilities, you think "this is a very complex woman and not just a pretty face" and you know they have a pretty successful marriage and I think that speaks well of him.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
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