A Quote by Rebecca Sugar
I love thinking of cartoon characters feeling really real feelings. And I love to do that, not just as a fan, but as a creator, so if people want to look for those levels, they're actually there.
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I can't look at TV without seeing something that's been influenced by rap. Even commercials for cereal. When I was small, I was a fan of cartoon characters - now the cartoon characters are rapping!
When we're feeling fully alive, we're able to fully feel love. This doorway also relates to feeling our feelings fully. Not suppressing our feelings of anger, sadness or grief but allowing them to be felt. What's amazing is that when those feelings are felt, they actually dissolve into love.
You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.
Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.
I'm such a fan of Deadwood. I love the characters in that. They're such wonderful characters. I'm a fan of The Wire. Those are all heavily character-based shows.
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
I want people to not look at NBA players as basketball players who love wine. I want them to really look at us as people who may have access to different wines but are as passionate as them. We love wine. We love the culture, we love being able to open a bottle, we love the excitement of hearing if you love it.
I have to be below 140 to really look good. I have to work my legs like crazy. Actually, do you want my real goal? My real goal's always too low. I love the way I look at, like, 128.
Once you have a handle on loving yourself, you can practice sharing that love with others. You’ve probably been taught to reserve the language of love for when you’re feeling overwhelmingly tender and passionate, and only for those who have made huge commitments to you. We recommend instead learning to recognize and acknowledge all the sweet feelings that make life worthwhile even when they don’t knock you over—and, moreover, learning to communicate those feelings to the people who inspire them.
What I really love is touring on a bus with my band playing shows every night and feeling the audience, feeling the presence of people actually listening to my music. Feeding my soul is what touring feels like for me and I absolutely refuse to have a bad time doing something I really, really love.
The feelings that we equate with love-feeling sick, feeling insecure, not eating-that's just lust getting in the way. It's your ego saying, 'I want to get laid' and 'I hope she likes me more than I like her.' Love is something that should be there in 20 years' time.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
Only God’s thoughts, or love, is actually real. So when we separate ourselves from that love, we’re actually not thinking at all: we’re hallucinating.
It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.
Sometimes falling in love may look like pure madness to those not experiencing it but that's only because they're not involved. Just because other people don't understand your feelings doesn't mean they're not real or they're not important. You have to trust yourself. Feel what you feel and don't worry about anyone else. Love is about you and your significant other, remember that.
I love sport, so I'd love to do more stories if I can that deal with sport maybe. Other characters, actually the real guy is so interesting why would you want to get anyone to play them?
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