A Quote by Reggie Watts

You can either just have fun with the joke or you can have fun with the joke and think about the implication of it. It's totally up to the listener. — © Reggie Watts
You can either just have fun with the joke or you can have fun with the joke and think about the implication of it. It's totally up to the listener.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.
There's a joke that I do where I make fun of myself for being bow-legged, and I compare myself to a camel and how a camel walks and sits, and that has become a joke that people - when I deliver that joke, people are in tears.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
I can honestly say that in my time in America, I have not encountered any racism. When Jim Thorpe and I make fun of each other on the range, or even when a white player makes a joke about my color, I take it as what it is-a joke-and give it back accordingly.
I'm making fun of midwestern homophobia [in the joke], but I'm still saying faggot. And almost every month as I'm doing that joke it gets five percent less of a laugh.
I'm not making fun of it because I want to make fun of it. I'm making fun of it so I feel better. I don't want people to think any time there's a tragedy that I'm going to make a joke about it. It's only funny to me because it's personal to me. And that was always the goal. It wasn't to be this insult person.
We're going for the joke on 'Children's Hospital,' and we're going for the joke on 'The League.' It's fun to go between shows, but you have to mentally remind yourself what show you're on.
You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
You can sometimes sneak a political joke in, which is sometimes the most effective place for a political joke - when it's not expected. It's just the most fun thing to do.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
Stand up is really fun because if I think of a joke or a funny idea, then I can just go and tell some people and if they laugh, they laugh right away.
Jimmy Fallon's strengths are that he's fun, and he's good at impressions, and he's musically inclined. And my strength is that I'm a joke writer, but I also have no filter, and I think that that's not a talent per se, but it's just a thing about myself that I have found that people like about what I do.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
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