A Quote by Reggie Watts

When you look at a photo twenty years from now, if you look at a photo of a moment in your life, or some friends, or yourself, you just have a lot more information about what that memory was. That's exciting to me. It's like a form of time preservation, I suppose.
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken.
There was a photo of me with weird sunglasses on and a green sweatshirt, some striped thing, with tights and cowboy boots...I just saw that photo and thought, 'God, I look crazy.'
Even now, a year later, people ask me about the Wheelchair Photo: what do I think about it? Does it bother me? The honest answer: I don't think about it. I glanced at the photo once, about a week after the bombing. I knew immediately I never wanted to look at it again.
The photo shoot I always feel a bit embarrassed about because I don't really know what to do with myself, but they usually don't use a bad photo, so you can't worry too much. So my main concern is that I just look a bit more like myself.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
If you think about all the light that enters - that enters the lens of a camera, that's much more than a photo. The light field is all the higher-dimensional information that's lost in a regular photo. When we record all this information, that provides us the opportunity in software after the fact.
It'd be nice to feel that claustrophobic feeling or the anxiety that the film Melancholia produces, but for me I look at it and think about what I was doing that day, where we shot it... It's kind of like a weird memory. It's more a photo album of memories than being able to feel connected to myself. It's not easy to do.
When you look like your passport photo, it's time to go home.
Everyone is filtering their selfies to make them look perfect. We're seeing it more and more in my clinic - patients want to look like a photo they've tweaked. They show me the picture and say: 'This is the new me.' But many times it's not realistic.
I can't wait to tell him one day," she says with a giggle. "'Hey, Chaz, guess what? We knew where your precious car was all the time.' I'd like to take a photo of his face. What do you think?" "I reckon I'd smile really nicely in the photo," Santangelo says behind me, yanking me out of the way, "knowing that you'll be keeping it under your pillow for the rest of your life.
Time is so fast that all times are past times! When you look at a photo of the past, you must know that you are already in the album, someone else is looking at your photo! All times are past times!
A memory from my youth comes back to me. You go into the woods on a bike, with a girl. There is the smell of heather, you can hear the wind in the fir trees, you don't dare tell her about your love, but you feel happy, as if you were floating above the ground. Then you look at the clouds beyond the trees and they are fleeting. And you know that within an hour you'll have to go home, that tomorrow will be a working day. You wish you could stop that moment forever, but you can't, it is bound to end. So you take a photo, as if to challenge time.
I think that my relationship with Ralph Lauren has given me a lot of recognition; the photo is everywhere. You open a magazine and there's a photo of me in a fragrance ad. I think that brought me recognition and made me be able to talk more about the sport of polo. I think it has done a lot of great things for the sport.
I live my everyday life as a person, and I react to my photos from a certain distance. When I look at a photo, I detach myself and look at it as a product - not as me, Isabella.
I look at photos of the Sochi Olympics - even though it sometimes seems like it was just yesterday - that photo doesn't even look like me. It looks like a child. I don't even recognize myself.
There is nothing more miserable in the world than to arrive in paradise and look like your passport photo.
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